Alun Armstrong Archives - Jeremy C. Processing

Director – Nicholas Hytner – 2025 – UK – Cert. 12a – 113m

*****

Against the backdrop of WW1 and a dwindling male population, the choral society of a small Yorkshire village attempts to mount a performance of Elgar’s The Dream of Gerontius – out in UK cinemas on Friday, November 7th

The fictional town of Ramsden, Yorkshire, 1916. World War One has been raging almost two years in France, but that almost seems like a distant world to 17-year-old lads Ellis (Taylor Uttley) and Lofty (Oliver Briscombe) whose main concern is eyeing up the local girls and working out their chances. Almost. Because Lofty’s job as a telegram boy, on which rounds Ellis accompanies him, means he’s delivering news of deaths from the Front to wives waiting anxiously at home and, following the 1916 Conscription Act requiring men aged 18 and above to join the armed forces, conscription notes to households from the King. (Prior to the Act, joining up had been voluntary although there was considerable moral and social pressure on men to do so.)

Closer to home, a more immediate concern looms for Ramsden in the form of the local choir, which has just lost its musical director to the army.… Read the rest

Get Carter
(1971)

Director – Mike Hodges – 1971 – UK – Cert. 18 – 111m

*****

A London gangster takes the train to Newcastle to find out who killed his brother… and why… in a defining film for both Michael Caine and British cinema – back out in cinemas on Friday, May 27th

Fifty years old, Hodges’ first feature has aged well in the main. Viewed today, this gangster film has a lot going for it. It reduces London to seedy, windowless rooms where men watch pornographic slide shows or their unfaithful wives service their lovers’ sexual fantasies over long distance phone calls. After the opening London to Newcastle train journey to the strains of Roy Budd’s memorable score, It quickly settles into its Newcastle milieu of pub interiors, terraced houses, rented rooms, back to back streets, pedestrians, cars, harbours and ferries. It has a memorable finale in which one man pursues another across a beach to a coal heap.

There’s a background about prostitution which turns out to be highly significant to the plot, with histories of men luring girls into pornographic movies. Few of the women (Britt Ekland, Rosemary Dunham, Petra Markham) seem happy – they are sex objects to service the men, or prostitutes, or victims of male trickery.… Read the rest