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Documentary Features Live Action Movies Music

Ennio: The Maestro
(Ennio)

Director – Giuseppe Tornatore – 2021 – Italy – Cert. 15 – 156m

****

Documentary Ennio: The Maestro looks at the career of Italian film composer Ennio Morricone – out in cinemas on Friday, April 22nd

It’s difficult to know where to start with Ennio Morricone, whose career in film music covers some 70 years. Tornatore adopts the chronological approach, starting with his early life. The composer’s father was a trumpeter who pushed young Ennio to learn that same instrument, leading to entry into Rome’s Santa Cecilia Conservatory where he studied both trumpet and composition. His father had raised him with a strong work ethic – using the trumpet to feed your family – and much of his early work was as a trumpeter on movie soundtrack sessions, including Othello (Orson Welles, 1951).

His wife secured him a brief stint at TV channel RAI where she was working, but on being told that he wouldn’t be able to perform anything recorded there anywhere else, Morricone quit almost immediately. Inspired by seeing experimental composer John Cage perform live, he formed the Nuovo Consonanza Improvisation Group to experiment with what he called “traumatic sounds”. This approach would inform a number of his later soundtracks.… Read the rest

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Japan 2021
and Yasujiro Ozu

Full article: All The Anime.

So, Scotland Loves Anime is over (save a few stragglers at the Film House) and you’re wondering where you can see more Japanese movies. Today, the BFI finally kicks off its major Japan season originally scheduled for 2020 at London’s BFI Southbank. Originally intended to coincide with the Tokyo Olympics, the programmers rejigged the programme and put parts of it out online from May to September 2020 via the excellent BFI Player platform while Sight & Sound’s wonderful anime special was out on the shelves for around three months thanks to lockdown.

Alongside the BFI’s online coup of numerous Kurosawa movies including Seven Samurai (1954), reissued as a brand new print in UK cinemas from 29th October along with prints of Throne of Blood (1957) and Yojimbo (1961), comes a similar quantity of Yasujiro Ozu movies, a rare chance to get an overview of one of Japan’s most popular domestic talents. Ozu (1903-1963) is best known for Tokyo Story (1953, pictured)… [Read more]

I review the BFI’s Japan 2021 season and the films of Yasujiro Ozu for All The Anime.

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The Hidden Fortress
(Kakushi-Toride
No San-Akunin,
隠し砦の三悪人)

Director – Akira Kurosawa – 1958 – Japan – Cert. PG – 138m

***

Currently streaming on BFI Player as part of the Japan programme alongside 21 other Kurosawa films together with a much wider selection of Japanese movies.

Captured by soldiers, two wandering bumpkin farmers (Minoru Chiaki, Kamatari Fujiwara) are put waist deep in a waterlogged pit with scores of other prisoners and ordered to dig for treasure. Before they can find it, however, they manage to escape. In the middle of nowhere, one of them slings away a useless, sodden branch from their attempted campfire. It goes chink. Inside the wood is concealed gold with a royal seal upon it.

So begins Akira Kurosawa’s 1958 foray into chambara (Japanese popular historical epic genre) which also features a beautiful princess in exile (Misa Uehara) and her heroic general (Toshiro Mifune) intent on restoring her with the clan’s gold. If the story sounds vaguely familiar, that’s because it’s George Lucas’ main source for his Star Wars (1977) (and one or two elements in its sequels), which today lend Kurosawa’s film an added interest. The Hidden Fortress puts hero, heroine and their two unlikely companions through a series of set piece adventures including lance duels, a spectacularly choreographed folk fire festival, horseback pursuits and, indeed, the discovery fairly early on in the proceedings of the eponymous hidden fortress.… Read the rest

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Throne Of Blood
(Kumonosu-jo,
蜘蛛巣城,
lit. Castle
Of The Spider Web)

Director – Akira Kurosawa – 1957 – Japan – Cert. 12 – 110m

*****

Plays in the BFI Japan 2021 season October / November at BFI Southbank. Also currently streaming on BFI Player as part of the Japan programme alongside 21 other Kurosawa films together with a much wider selection of Japanese movies.

Macbeth is one of Shakespeare’s most familiar plays. In 1957, Kurosawa reworked it against the backdrop of feudal, 16th Century Japan. Ascendant samurai Washizu (Toshiro Mifune) and Miki (Minoru Chiaki) hear from an old crone at a spinning wheel in the forest that Washizu will become Lord of Cobweb Castle, later to be succeeded by Miki’s son. Washizu’s wife Asaji (Isuzu Yamada, her face rigidly fixed in Noh mask poses) preys on his insecurities to convince Washizu to murder his way to the top. Slayings, ghost sightings, hand washing and his demise duly ensue.

Not only does Kurosawa jettison all Shakespeare’s dialogue, he also makes the material thoroughly his own even while remaining true to its essence. For instance, when Washizu, eating in public, sees Miki’s ghost, Mifune with the camera following him starts running around like a man possessed, slashing wildly at an unseen apparition.… Read the rest

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Ran
(乱)

Director – Akira Kurosawa – 1985 – Japan – Cert. 15 – 162m

*****

This spectacular samurai period epic is currently streaming on BFI Player as part of the Japan programme alongside 21 other Kurosawa films together with a much wider selection of Japanese movies.

The following review originally appeared in Funimation UK. It was published to coincide with the film’s 2016 restoration. Stray Dog, Rashomon, Yojimbo, I Live In Fear, The Hidden Fortress, Throne Of Blood, The Lower Depths and High And Low, all of which are in the current season’s 22, also get a mention. As does Kagemusha which, curiously, isn’t.

Jeremy Clarke on Akira Kurosawa’s live action epic.

Ran is Akira Kurosawa’s remarkable 1985 free adaptation of King Lear, rereleased in cinemas worldwide in 2016 on the back of the 400th anniversary of William Shakespeare’s death.

More than any other Japanese film director, Akira Kurosawa (1910-1998) is responsible for bringing that country’s movies to the attention of international audiences. His first big exposure abroad came with the jidaigeki or period drama Rashomon (1950) which dramatised the story of a rape victim from different, successive character viewpoints.… Read the rest

Categories
Documentary Features Live Action Movies

Mifune
The Last Samurai

Director Steven Okazaki – 2015 – US – Cert. 12 – 80m

*****

Currently streaming on BFI Player as part of Japan 2020.

Toshiro Mifune (1920-1997) is director Akira Kurosawa’s iconic star of his samurai movies Rashomon, Seven Samurai and Yojimbo. He’s the subject of three time Oscar-nominated documentary film maker Steven Okazaki’s useful documentary Mifune The Last Samurai (2015). As narrator Keanu Reeves says in voice-over, without Mifune there would have been no Magnificent Seven, Eastwood would not have had A Few Dollars More and Darth Vader would not have been a samurai.

The documentary spends a good twenty minutes on background Japanese history, early Japanese film and Mifune’s life before his career in movies began.

He got into movie acting by accident, having originally applied to work at Toho Studios as a camera assistant. Kurosawa spotted him there, immediately recognised a unique quality and decided he wanted to work with him as an actor. The pair would go on to make sixteen films together.

I review Mifune The Last Samurai for All The Anime.

You can watch the film on BFI Player as part of Japan 2020.