Categories
Animation Features Movies

Savages
(Sauvages)

Director – Claude Barras – 2024 – Switzerland – Cert. PG – 87m

French with English subtitles.

*****

An indigenous pre-teenage girl stands up to loggers destroyingthe local rainforest – stop-frame animated feature from the director of My Life as a Courgette is out in UK cinemas on Friday, August 1st

From its opening moments in darkness following unsettling creature noises suggesting a jungle forest, followed by jungle forest establishing shots – a frog jumping across a river via a series of stones, a snake slithering around a tree, a baby orangutan (non-verbal voice: soundtrack composer and co-sound editor Charles de Ville) swinging on a branch – it’s clear that this has high ambitions indeed. All the above would be one thing to execute in live action – a few location natural history shots… possibly library footage. In model – or stop-motion – animation, you need to physically build everything in terms of miniature model sets, so to achieve such images is a major undertaking.

Having already set the production bar high, this then pushes it up further with the rasping sound of a chainsaw, as the tree heights on which the baby orangutan and its mother (voice: de Ville again), who has just rescued the infant from the attentions of the deadly snake, are resting suddenly topples into a camp of workers who are going about their allotted task of destroying the creature’s natural habitat.… Read the rest

Categories
Documentary Features Live Action Movies

2000 Meters to Andriivka

Director – Mstyslav Chernov – 2025 – Ukraine – Cert. 15 – 107m

****

A small Ukrainian Army unit advances through a narrow strip of war-scarred forest to recapture a village from the occupying Russians – documentary from the makers of 20 Days in Mariupol is out in UK and Irish cinemas on Friday, August 1st

Set in the 2023 Ukrainain offensive to take back land occupied by the Russians in the East of Ukraine, this covers the advance of a small, Ukrainian army unit, the 3rd Assault Brigade, on the country’s Russian-occupied village of Adriivka, located on the outskirts of the town of Bahkmut. Given that the latter is two hours away from Kharkiv, the hometown of director Mstyslav Chernov (20 Days in Mariupol, 2023), the location has a clear personal significance for him. He and his Associated Press colleague Alex Babenko take their camera with the unit on their mission.

The soldiers are all equipped with helmet cams, giving the filmmakers additional material to play with. Such technology is unimaginable as recently as 25 years ago. One might argue that war has changed little, that it’s still much the same, horrible phenomenon it always has been. The advent of the cam, however, means that an audience can watch the viewpoint of a war participant up close and personal.… Read the rest