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Features Live Action Movies

Babe

Director – Chris Noonan – 1995 – Australia – Cert. PG (2025), U (1995) – 92m

The story of a sheep that thinks it’s a dog – back in cinemas 30 years later on Friday, April 11th 2025, with a higher BBFC classification rating. The below is my review from What’s On in London in 1995, where I badgered my editor to make it the Film of the Week.

The very different worlds of Gloucestershire-born children’s author Dick King-Smith and Australian production company Kennedy Miller (Mad Max, George Miller, 1979; The Year My Voice Broke, John Duigan, 1987; Dead Calm, Phillip Noyce, 1989) might appear to have little in common. Then along comes Babe, a Kennedy-Miller adaptation of King-Smith’s hilarious fable The Sheep-Pig in which Farmer Hogget’s sole piglet Babe decides to become a sheepdog. Although the book is a very fine (and highly recommended) example of the children’s book, it’s hardly groundbreaking – we’ve read tales about talking animals before. For that matter, too, we’ve seen films with talking animals before – many of the better ones made by Disney.

What we haven’t seen before is this conceit pulled off flawlessly in live action.… Read the rest

Categories
Features Live Action Movies

Sisu
(Sisu)

Director – Jalmari Helander – 2022 – Finland – Cert. 15 – 91m

****

A gold miner taking time out from WW2 must get past a Nazi unit in the Lapland wilderness in order to deposit his gold at the bank – entertaining but violent gorefest is out in UK cinemas on Friday, May 26th

1944. Lapland. A man (Jorma Tommila from director Helander’s Big Game, 2014; Rare Exports: A Christmas Tale, 2010) has withdrawn from the war to search for gold in the wilderness. The retreating German army, meanwhile, is pursuing a ‘scorched earth’ policy, destroying everything in its path. The man digs. He finds a rich seam of gold. He fills his saddlebags. Now all he has to do is get them to the nearest bank in the nearest town.

He sets off with his horse and his dog. Between him and his destination is a Nazi unit with a ruthless, sadistic commander (Aksel Hennie from The Middle Man, Bent Hamer, 2021, The Martian, Ridley Scott, 2015; Pioneer, Erik Skjoldbjærg, 2013; Headhunters, Morten Tyldum, 2011), a tank and two lorries carrying German infantry and Finnish women prisoners respectively.

All this takes place in a world where everyone, Finns and Germans, speak English.… Read the rest