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	<title>sleepover &#8211; Jeremy C. Processing</title>
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	<title>sleepover &#8211; Jeremy C. Processing</title>
	<link>https://jeremycprocessing.com</link>
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	<item>
		<title>Toy Story 5</title>
		<link>https://jeremycprocessing.com/toy-story-5/</link>
					<comments>https://jeremycprocessing.com/toy-story-5/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Thu, 18 Jun 2026 23:54:34 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[abandoned]]></category>
		<category><![CDATA[action figures]]></category>
		<category><![CDATA[Andrew Stanton]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Annie Potts]]></category>
		<category><![CDATA[Buzz Lightyear]]></category>
		<category><![CDATA[CGI]]></category>
		<category><![CDATA[computer animation]]></category>
		<category><![CDATA[Conan O’Brien]]></category>
		<category><![CDATA[Cowgirl Jessie]]></category>
		<category><![CDATA[device]]></category>
		<category><![CDATA[GPS]]></category>
		<category><![CDATA[Greta Lee]]></category>
		<category><![CDATA[horse]]></category>
		<category><![CDATA[Jay Hernandez]]></category>
		<category><![CDATA[Joan Cusack]]></category>
		<category><![CDATA[Kenna Harris]]></category>
		<category><![CDATA[l Cowboy Woody]]></category>
		<category><![CDATA[make friends]]></category>
		<category><![CDATA[Mykal-Michelle Harris]]></category>
		<category><![CDATA[next-door]]></category>
		<category><![CDATA[peer pressure]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[playtime]]></category>
		<category><![CDATA[ring pull]]></category>
		<category><![CDATA[Scarlett Spears]]></category>
		<category><![CDATA[screen]]></category>
		<category><![CDATA[Shelby Rabar]]></category>
		<category><![CDATA[sleepover]]></category>
		<category><![CDATA[social network]]></category>
		<category><![CDATA[suitcase]]></category>
		<category><![CDATA[tech]]></category>
		<category><![CDATA[Tim Allen]]></category>
		<category><![CDATA[toilet trainer]]></category>
		<category><![CDATA[Tom Hanks]]></category>
		<category><![CDATA[toy]]></category>
		<category><![CDATA[Toy Story 5]]></category>
		<category><![CDATA[US]]></category>
		<category><![CDATA[voice self-activated]]></category>
		<category><![CDATA[Wallace Shawn]]></category>
		<guid isPermaLink="false">https://jeremycprocessing.com/?p=22154</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Directors – Kenna Harris, Andrew Stanton – 2026 – US – Cert. PG – 102m</p>



<p class="wp-block-paragraph">***1/2</p>



<p class="wp-block-paragraph"><em>The toys become sidelined when their child is given a screen-based tech device and she abandons them to spend all her time interacting with it</em>&#160;– out in UK cinemas on Friday, June 19th</p>



<p class="wp-block-paragraph">After a damaged package of High-Tech edition Buzz Lightyear action figures causes a veritable battalion of them to fall from the sky, regular group of toys belonging to young girl Bonnie (voice: Scarlett Spears from&#160;<em>Wicked for Good</em>, John M.Chu, 2025) are the subject of her make believe games, switching satisfyingly from romantic wedding to murder mystery.</p>



<figure class="wp-block-image size-full"><img fetchpriority="high" decoding="async" width="800" height="432" src="https://jeremycprocessing.com/wp-content/uploads/2026/06/Toy-Story-5-2-800-x-432.jpg" alt="" class="wp-image-22157" srcset="https://jeremycprocessing.com/wp-content/uploads/2026/06/Toy-Story-5-2-800-x-432.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2026/06/Toy-Story-5-2-800-x-432-300x162.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2026/06/Toy-Story-5-2-800-x-432-768x415.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">Leading toy character Cowgirl Jessie (voice: Joan Cusack from&#160;<em>Toy Story 2</em>–<em>4; High Fidelity</em>, Stephen Frears, 2000;&#160;<em>Grosse Pointe Blank</em>, George Armitage, 1997) takes it upon herself to turn up, ring pull voice self-activated, outside Bonnie’s garden fence, in an attempt to get Bonnie to make friends with the kids next door. Something Bonnie has been avoiding for months.&#160;</p>



<p class="wp-block-paragraph">Jessie has, however, reckoned without tech. Bonnie is the exceptional child who still plays with toys; most of the kids are glued to electronic devices, and have no need for traditional, physical toys or the type of play they inspire.&#8230; <a href="https://jeremycprocessing.com/toy-story-5/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Directors – Kenna Harris, Andrew Stanton – 2026 – US – Cert. PG – 102m</p>



<p class="wp-block-paragraph">***1/2</p>



<p class="wp-block-paragraph"><em>The toys become sidelined when their child is given a screen-based tech device and she abandons them to spend all her time interacting with it</em>&nbsp;– out in UK cinemas on Friday, June 19th</p>



<p class="wp-block-paragraph">After a damaged package of High-Tech edition Buzz Lightyear action figures causes a veritable battalion of them to fall from the sky, regular group of toys belonging to young girl Bonnie (voice: Scarlett Spears from&nbsp;<em>Wicked for Good</em>, John M.Chu, 2025) are the subject of her make believe games, switching satisfyingly from romantic wedding to murder mystery.</p>



<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="800" height="432" src="https://jeremycprocessing.com/wp-content/uploads/2026/06/Toy-Story-5-2-800-x-432.jpg" alt="" class="wp-image-22157" srcset="https://jeremycprocessing.com/wp-content/uploads/2026/06/Toy-Story-5-2-800-x-432.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2026/06/Toy-Story-5-2-800-x-432-300x162.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2026/06/Toy-Story-5-2-800-x-432-768x415.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">Leading toy character Cowgirl Jessie (voice: Joan Cusack from&nbsp;<em>Toy Story 2</em>–<em>4; High Fidelity</em>, Stephen Frears, 2000;&nbsp;<em>Grosse Pointe Blank</em>, George Armitage, 1997) takes it upon herself to turn up, ring pull voice self-activated, outside Bonnie’s garden fence, in an attempt to get Bonnie to make friends with the kids next door. Something Bonnie has been avoiding for months.&nbsp;</p>



<p class="wp-block-paragraph">Jessie has, however, reckoned without tech. Bonnie is the exceptional child who still plays with toys; most of the kids are glued to electronic devices, and have no need for traditional, physical toys or the type of play they inspire.&hellip; <a href="https://jeremycprocessing.com/toy-story-5/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Ring (Ringu, リング ) (Collection)</title>
		<link>https://jeremycprocessing.com/ring-collection/</link>
					<comments>https://jeremycprocessing.com/ring-collection/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Mon, 10 Aug 2020 15:00:12 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Live Action]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Arrow Video]]></category>
		<category><![CDATA[BFI Japan]]></category>
		<category><![CDATA[BFI Japan 2021]]></category>
		<category><![CDATA[curse]]></category>
		<category><![CDATA[ghost]]></category>
		<category><![CDATA[hair]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[investigator]]></category>
		<category><![CDATA[J-horror]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Japan 2021]]></category>
		<category><![CDATA[journalist]]></category>
		<category><![CDATA[K-horror]]></category>
		<category><![CDATA[kabuki]]></category>
		<category><![CDATA[Korea]]></category>
		<category><![CDATA[murder]]></category>
		<category><![CDATA[mystery]]></category>
		<category><![CDATA[onryo]]></category>
		<category><![CDATA[sleepover]]></category>
		<category><![CDATA[South Korea]]></category>
		<category><![CDATA[special effects]]></category>
		<category><![CDATA[US]]></category>
		<category><![CDATA[victims]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[videotape]]></category>
		<category><![CDATA[viral]]></category>
		<category><![CDATA[well]]></category>
		<category><![CDATA[woodblock]]></category>
		<guid isPermaLink="false">http://jeremycprocessing.com/?p=1238</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Ring</p>



<p class="wp-block-paragraph">Director – Hideo <strong>Nakata</strong> – 1998 – Japan – Cert. 15 – 96m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph">Spiral (Rasen)</p>



<p class="wp-block-paragraph">Director – Joji <strong>Iida</strong> – 1998 – Japan – Cert. 15 – 97m</p>



<p class="wp-block-paragraph">** 1/2</p>



<p class="wp-block-paragraph">Ring 2</p>



<p class="wp-block-paragraph">Director – Hideo <strong>Nakata</strong> – 1999 – Japan – Cert. 12 – 95m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph">Ring 0</p>



<p class="wp-block-paragraph">Director – Norio <strong>Tsuruta</strong> – 2000 – Japan – Cert. 15 – 99m</p>



<p class="wp-block-paragraph">***1/2</p>



<p class="wp-block-paragraph"><em>Ring plays in the <a href="https://jeremycprocessing.com/japan-2021-and-yasujiro-ozu/">BFI Japan 2021</a> season October / November at BFI Southbank, also currently streaming on <a href="https://player.bfi.org.uk/">BFI Player</a> as part of the <a href="https://jeremycprocessing.com/japan-2021-and-yasujiro-ozu/">BFI Japan 2021</a> programme.</em> <em>Ring</em> and <em>Ring 2</em> are on <a href="https://www.shudder.com/">Shudder</a>. </p>



<p class="wp-block-paragraph">You watch a short, scary video on the VCR. Then your phone rings… you have a week to show it to someone else – or die! <em>Ring</em> (1998) took the world by storm.</p>



<p class="wp-block-paragraph">A single parent, TV journalist investigates a cursed videotape…</p>



<p class="wp-block-paragraph">I review Arrow’s <em>Ring</em> Collection for <a href="https://blog.alltheanime.com/ring-collection/">All The Anime</a>.</p>



<p class="wp-block-paragraph"><em>Ring </em>plays in the <a href="https://jeremycprocessing.com/japan-2021-and-yasujiro-ozu/">BFI Japan 2021</a> season October / November at BFI Southbank, also currently streaming on <a href="https://player.bfi.org.uk/">BFI Player</a> as part of the <a href="https://jeremycprocessing.com/japan-2021-and-yasujiro-ozu/">BFI Japan 2021</a> programme. <em>Ring</em> and <em>Ring 2</em> are on <a href="https://www.shudder.com/">Shudder</a>. </p>



<p class="wp-block-paragraph">Trailer:</p>



<figure><iframe loading="lazy" src="https://www.youtube.com/embed/m4iODTbUn1A?feature=oembed" allowfullscreen="" width="580" height="326"></iframe></figure>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Ring</p>



<p class="wp-block-paragraph">Director – Hideo <strong>Nakata</strong> – 1998 – Japan – Cert. 15 – 96m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph">Spiral (Rasen)</p>



<p class="wp-block-paragraph">Director – Joji <strong>Iida</strong> – 1998 – Japan – Cert. 15 – 97m</p>



<p class="wp-block-paragraph">** 1/2</p>



<p class="wp-block-paragraph">Ring 2</p>



<p class="wp-block-paragraph">Director – Hideo <strong>Nakata</strong> – 1999 – Japan – Cert. 12 – 95m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph">Ring 0</p>



<p class="wp-block-paragraph">Director – Norio <strong>Tsuruta</strong> – 2000 – Japan – Cert. 15 – 99m</p>



<p class="wp-block-paragraph">***1/2</p>



<p class="wp-block-paragraph"><em>Ring plays in the <a href="https://jeremycprocessing.com/japan-2021-and-yasujiro-ozu/">BFI Japan 2021</a> season October / November at BFI Southbank, also currently streaming on <a href="https://player.bfi.org.uk/">BFI Player</a> as part of the <a href="https://jeremycprocessing.com/japan-2021-and-yasujiro-ozu/">BFI Japan 2021</a> programme.</em> <em>Ring</em> and <em>Ring 2</em> are on <a href="https://www.shudder.com/">Shudder</a>. </p>



<p class="wp-block-paragraph">You watch a short, scary video on the VCR. Then your phone rings… you have a week to show it to someone else – or die! <em>Ring</em> (1998) took the world by storm.</p>



<p class="wp-block-paragraph">A single parent, TV journalist investigates a cursed videotape…</p>



<p class="wp-block-paragraph">I review Arrow’s <em>Ring</em> Collection for <a href="https://blog.alltheanime.com/ring-collection/">All The Anime</a>.</p>



<p class="wp-block-paragraph"><em>Ring </em>plays in the <a href="https://jeremycprocessing.com/japan-2021-and-yasujiro-ozu/">BFI Japan 2021</a> season October / November at BFI Southbank, also currently streaming on <a href="https://player.bfi.org.uk/">BFI Player</a> as part of the <a href="https://jeremycprocessing.com/japan-2021-and-yasujiro-ozu/">BFI Japan 2021</a> programme. <em>Ring</em> and <em>Ring 2</em> are on <a href="https://www.shudder.com/">Shudder</a>. </p>



<p class="wp-block-paragraph">Trailer:</p>



<figure><iframe loading="lazy" src="https://www.youtube.com/embed/m4iODTbUn1A?feature=oembed" allowfullscreen="" width="580" height="326"></iframe></figure>]]></content:encoded>
					
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			</item>
		<item>
		<title>Rocks</title>
		<link>https://jeremycprocessing.com/rocks-sarah-gavron/</link>
					<comments>https://jeremycprocessing.com/rocks-sarah-gavron/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Fri, 18 Sep 2020 08:40:34 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Live Action]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[abandonment]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[East End]]></category>
		<category><![CDATA[ethnic diversity]]></category>
		<category><![CDATA[girls]]></category>
		<category><![CDATA[Hackney]]></category>
		<category><![CDATA[home]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[school]]></category>
		<category><![CDATA[sleepover]]></category>
		<category><![CDATA[social services]]></category>
		<category><![CDATA[survival]]></category>
		<category><![CDATA[theft]]></category>
		<category><![CDATA[UK]]></category>
		<category><![CDATA[women]]></category>
		<guid isPermaLink="false">http://jeremycprocessing.com/?p=1728</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Sarah Gavron – 2019 – UK – Cert. 12 – 93m</p>



<p class="wp-block-paragraph">****</p>



<p class="wp-block-paragraph"><em>A 15-year-old, East End London schoolgirl must look after her seven-year-old brother when their mother abandons them</em> – <a href="https://www.rocks.film/">in cinemas</a> from Friday, September 18th</p>



<p class="wp-block-paragraph">From its opening, in which a bunch of ethnically diverse, 15-year-old girls from Hackney in London’s East End clown around together, lean on a balcony and film each other on a mobile phone, it’s clear that this is something very different. It’s been made with a young, mostly female cast many of whom have little or no acting experience via intensive workshopping and improvisation. Thrown into this mix somewhere along the process a highly personal script outline has emerged from Theresa Ikoko, one of two writers involved in the lengthy development process, which seems a perfect fit for the young cast.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="800" height="450" src="https://jeremycprocessing.com/wp-content/uploads/2020/09/Rocks-girls-school-800-x-450.jpg" alt="" class="wp-image-1732" srcset="https://jeremycprocessing.com/wp-content/uploads/2020/09/Rocks-girls-school-800-x-450.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2020/09/Rocks-girls-school-800-x-450-300x169.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2020/09/Rocks-girls-school-800-x-450-768x432.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">Although the story source was Ikoko, I’m guessing that the input of co-writer Claire Wilson is just as significant. And while I believe you can never underestimate the importance of a good script which lays the foundations of a production, in this particular instance many other collaborators both behind and in front of the cameras have also contributed a great deal, with director Gavron and her producers holding it all together.&#8230; <a href="https://jeremycprocessing.com/rocks-sarah-gavron/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Sarah Gavron – 2019 – UK – Cert. 12 – 93m</p>



<p class="wp-block-paragraph">****</p>



<p class="wp-block-paragraph"><em>A 15-year-old, East End London schoolgirl must look after her seven-year-old brother when their mother abandons them</em> – <a href="https://www.rocks.film/">in cinemas</a> from Friday, September 18th</p>



<p class="wp-block-paragraph">From its opening, in which a bunch of ethnically diverse, 15-year-old girls from Hackney in London’s East End clown around together, lean on a balcony and film each other on a mobile phone, it’s clear that this is something very different. It’s been made with a young, mostly female cast many of whom have little or no acting experience via intensive workshopping and improvisation. Thrown into this mix somewhere along the process a highly personal script outline has emerged from Theresa Ikoko, one of two writers involved in the lengthy development process, which seems a perfect fit for the young cast.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="800" height="450" src="https://jeremycprocessing.com/wp-content/uploads/2020/09/Rocks-girls-school-800-x-450.jpg" alt="" class="wp-image-1732" srcset="https://jeremycprocessing.com/wp-content/uploads/2020/09/Rocks-girls-school-800-x-450.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2020/09/Rocks-girls-school-800-x-450-300x169.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2020/09/Rocks-girls-school-800-x-450-768x432.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">Although the story source was Ikoko, I’m guessing that the input of co-writer Claire Wilson is just as significant. And while I believe you can never underestimate the importance of a good script which lays the foundations of a production, in this particular instance many other collaborators both behind and in front of the cameras have also contributed a great deal, with director Gavron and her producers holding it all together.&hellip; <a href="https://jeremycprocessing.com/rocks-sarah-gavron/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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