Two cops, a crime reporter and a geek working on the same paper attempt to solve the identity of San Francisco’s 1970s Zodiac Killer – engrossing crime thriller / character study is now out on 4K Ultra HD + Blu-ray

Fincher’s feature filmography is a fascinating hit-and-miss affair, debuting with the middling Alien³ (1992) then covering gems Se7en (1995, make sure you see a silvered print), Fight Club (1999) and The Social Network (2010) plus lesser outings The Game (1997), Panic Room (2002) and The Curious Case of Benjamin Button (2008). Zodiac concerning a serial killer, you’d be forgiven for pigeonholing it as similar to Se7en – but in fact it’s something rather different. Se7en is a fictional thriller concerning cops hunting a serial murderer – or, you might argue, the murderer himself – whose killings are inspired by the Seven Deadly Sins and an exercise in avant-garde visual style.

Zodiac is based on the unsolved case of the real life Zodiac Killer who terrorised San Francisco in the seventies. It spans decades, focusing on the four men attempting to solve the case. Attempting to stay true to the facts, it avoids a wrapped up, neat ending, presenting instead the contradictory evidence and leaving you to draw your own conclusions – or make your own guess as to the killer’s identity.… Read the rest

****

Slade play Flame, a small-time rock band who cut their musical teeth managed by lowlife crooks before going on to a meteoric rise and fall managed by corporate suits – 2K Remaster for the film’s 50th Anniversary Re-release is out on UHD / Blu-ray on Monday, May 19th

In the early 1970s, four-piece pop act Slade (singer-guitarist Noddy Holder, bass player Jim Lea, guitarist Dave Hill and drummer Don Powell) were a British pop phenomenon. They clocked up six number one singles, with three going straight to the number one position. To capitalise on that success, the band’s manager Chas Chandler, previously Jim Hendrix’s manager and, before that, the bass player with The Animals, decided Slade should make a movie; the band, however, didn’t want to make light, upbeat, whimsical fantasies like The Beatles vehicles (A Hard Day’s Night, 1964; Help!, 1965, both Richard Lester; Yellow Submarine, George Dunning, 1968); they wanted instead to make something darker, reflecting the experience of trying to make it in a band in England in the late 1960s.

First-time feature director Richard Loncraine proved to be an inspired choice, confirmed both by the gritty, urban nature of his many subsequent films (The Missionary, 1982; Bellman and True, 1987; Richard III, 1995) and for his signature compositional style (letterbox frame, sepia-dominated palette), developed with cinematographer Peter Hannan (The Missionary, not to mention Monty Python’s The Meaning of Life, Terrys Gilliam and Jones, 1983).… Read the rest

*****

A red dress bought from and returned to a department store wreaks terrible fates on serial owners in a film much stranger and more worthwhile than it sounds – now on MUBI and Curzon Home Cinema

A wildly inventive and unashamedly British affair, Strickland’s latest film mixes tacky 1970s aesthetics with several workplaces – a department store, a personal loans company and a washing machine repair firm. Clothing emporium Dentley & Soper is run on a series of arcane regulations, obedience to the seemingly arbitrary rules for conduct of personnel at Waingel’s Bank is encouraged by smarmy middle management types Stash and Clive (Julian Barrett and Steve Oram) while washing machine repair firm Slaverton’s Wash insists any personnel who mend their own machines must do so on the firm’s books.

Although the film is constructed on the portmanteau template used in many horror films, whether it’s a horror movie as such rather than a very strange and stylish arthouse movie is open to debate. Loosely linked narratives are woven around serial characters – Waingel’s employee Sheila (Marianne Jean-Baptiste), Slaverton’s repair man Reg Speaks (Leo Bill) and his fiancée Babs (Hayley Squires).… Read the rest

*****

The White House versus the press. Set in the 1970s, Steven Spielberg’s journalistic epic tells the story of The Washington Post and the Pentagon Papers – available for digital streaming

In 1971, The New York Times broke the story of the Pentagon Papers. These documents detailed how the incumbent Nixon administration and its predecessors had increased the scale of the US involvement in the unwinnable war in Vietnam for political gain rather than the national good. The administration’s response was swift and repressive: within two days, a legal injunction prevented the paper from publishing further details. The Washington Post (often shortened to The Post, as in the film title), at the time more a local paper than a national one, stepped into the breach with its reporters hunting down the New York Times’ source so that it could publish more of the story as it emerged. Having just floated on the New York Stock Exchange, the paper found itself in the tricky situation of being accountable to conservative shareholders who didn’t like the idea of exposing their investment to risks with the potential to close the paper down for good.… Read the rest