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Japan generally and Tokyo specifically are viewed through that city’s art and photography – out in UK, Irish and worldwide cinemas on Tuesday, May 23rd

The refreshing thing about this latest entry in producer Phil Grabsky’s excellent Exhibition On Screen series is that it breaks the mould. Like Vermeer The Greatest Exhibition (David Bickerstaff, 2023), it is centred around a particular art exhibition, in this instance 2022’s Tokyo: Art + Photography show at Oxford’s Ashmolean Museum. That event sought to give a perspective on the country of Japan generally and the city of Tokyo specifically through its art, both historical and contemporary. The Ashmolean is well-placed to do this, given that it already houses a wide-ranging, historical Japanese collection. Sadly, it means that if this film whets your appetite and makes you want to visit the exhibition, you can’t then do so because it’s been and gone. In a way, though, that’s not so dissimilar from the Vermeer exhibition, which had sold out before the documentary about it appeared.

While the film is swift to acknowledge areas of Japanese culture as diverse as manga (one of the first shots of Tokyo features a giant image of manga and anime favourites Dirty Pair) and traditional Japanese music (a stringed and a woodwind instrument are shown being played by musicians without any explanation or even naming of the instruments), such elements remain largely in the background.… Read the rest