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	<title>proprietor &#8211; Jeremy C. Processing</title>
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	<title>proprietor &#8211; Jeremy C. Processing</title>
	<link>https://jeremycprocessing.com</link>
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	<item>
		<title>Chicken Run</title>
		<link>https://jeremycprocessing.com/chicken-run/</link>
					<comments>https://jeremycprocessing.com/chicken-run/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Wed, 06 Dec 2023 20:07:00 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[3D animation]]></category>
		<category><![CDATA[Aardman Animations]]></category>
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		<category><![CDATA[Annecy]]></category>
		<category><![CDATA[Annecy 2026]]></category>
		<category><![CDATA[Benjamin Whitrow]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Dave Alex Riddett]]></category>
		<category><![CDATA[David Sproxton]]></category>
		<category><![CDATA[Dreamworks]]></category>
		<category><![CDATA[eggs]]></category>
		<category><![CDATA[fencing]]></category>
		<category><![CDATA[flying]]></category>
		<category><![CDATA[hen]]></category>
		<category><![CDATA[humour]]></category>
		<category><![CDATA[huts]]></category>
		<category><![CDATA[Imelda Staunton]]></category>
		<category><![CDATA[industrialisation]]></category>
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		<category><![CDATA[Jane Horrocks]]></category>
		<category><![CDATA[Julia Sawalha]]></category>
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		<category><![CDATA[lay eggs]]></category>
		<category><![CDATA[Lynn Ferguson]]></category>
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		<category><![CDATA[Miranda Richardson]]></category>
		<category><![CDATA[Nick Park]]></category>
		<category><![CDATA[North]]></category>
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		<category><![CDATA[Peter Lord]]></category>
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		<category><![CDATA[stop-motion animation]]></category>
		<category><![CDATA[The Great Escape]]></category>
		<category><![CDATA[Timothy Spall]]></category>
		<category><![CDATA[Tony Haygarth]]></category>
		<category><![CDATA[training]]></category>
		<category><![CDATA[villain]]></category>
		<category><![CDATA[Wallace & Gromit]]></category>
		<category><![CDATA[World War 2]]></category>
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		<guid isPermaLink="false">http://jeremycprocessing.com/?p=13506</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Producer-Directors: Nick Park, Peter Lord – Producer – David Sproxton – 2000 – UK – Cert. PG – 84m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Which came first – the chicken or the egg? Plasticene stop-frame animation house Aardman Animations’ debut feature film reconceives The Great Escape with chickens</em> – back out in UK cinemas from Friday, 24th July</p>



<p class="wp-block-paragraph">Aardman Animations’ <em>A Close Shave</em> (1995), the third half-hour outing for Nick Park’s popular Wallace &#38; Gromit duo, exhibited several danger signs – specifically its close resemblance to brilliant, immediate precursor <em>The&#160;Wrong Trousers</em> (1993). Clearly aware of such pitfalls, Park and founding Aards Sproxton and Lord shrewdly signed a five-picture deal with Dreamworks but refused to rush into a first feature. Their caution has paid dividends: this first full length Aardmovie proves an unexpectedly wondrous odyssey.</p>



<figure class="wp-block-image size-full"><img fetchpriority="high" decoding="async" width="800" height="384" src="https://jeremycprocessing.com/wp-content/uploads/2023/12/Chicken-Run-30-800-x-384.jpg" alt="" class="wp-image-13513" srcset="https://jeremycprocessing.com/wp-content/uploads/2023/12/Chicken-Run-30-800-x-384.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2023/12/Chicken-Run-30-800-x-384-300x144.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2023/12/Chicken-Run-30-800-x-384-768x369.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">It’s<em> The Great Escape</em> reconceived with chickens: familiar WW2 prison camp is reconfigured as North of England chicken coop with impenetrable fencing, rows of huts and a motley assortment of portly hen inmates. Ginger (voice: Julia Sawalha) wants to escape, but several disastrous attempts lead to solitary confinement (where she bounces a ball off the wall Steve McQueen style). Other chickens can’t see a problem – Bunty (voice: Imelda Staunton) simply keeps on laying eggs, while Babs (Horrocks) busies herself with constant knitting.&#8230; <a href="https://jeremycprocessing.com/chicken-run/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Producer-Directors: Nick Park, Peter Lord – Producer – David Sproxton – 2000 – UK – Cert. PG – 84m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Which came first – the chicken or the egg? Plasticene stop-frame animation house Aardman Animations’ debut feature film reconceives The Great Escape with chickens</em> – back out in UK cinemas from Friday, 24th July</p>



<p class="wp-block-paragraph">Aardman Animations’ <em>A Close Shave</em> (1995), the third half-hour outing for Nick Park’s popular Wallace &amp; Gromit duo, exhibited several danger signs – specifically its close resemblance to brilliant, immediate precursor <em>The&nbsp;Wrong Trousers</em> (1993). Clearly aware of such pitfalls, Park and founding Aards Sproxton and Lord shrewdly signed a five-picture deal with Dreamworks but refused to rush into a first feature. Their caution has paid dividends: this first full length Aardmovie proves an unexpectedly wondrous odyssey.</p>



<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="800" height="384" src="https://jeremycprocessing.com/wp-content/uploads/2023/12/Chicken-Run-30-800-x-384.jpg" alt="" class="wp-image-13513" srcset="https://jeremycprocessing.com/wp-content/uploads/2023/12/Chicken-Run-30-800-x-384.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2023/12/Chicken-Run-30-800-x-384-300x144.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2023/12/Chicken-Run-30-800-x-384-768x369.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">It’s<em> The Great Escape</em> reconceived with chickens: familiar WW2 prison camp is reconfigured as North of England chicken coop with impenetrable fencing, rows of huts and a motley assortment of portly hen inmates. Ginger (voice: Julia Sawalha) wants to escape, but several disastrous attempts lead to solitary confinement (where she bounces a ball off the wall Steve McQueen style). Other chickens can’t see a problem – Bunty (voice: Imelda Staunton) simply keeps on laying eggs, while Babs (Horrocks) busies herself with constant knitting.&hellip; <a href="https://jeremycprocessing.com/chicken-run/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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			</item>
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		<title>The Critic</title>
		<link>https://jeremycprocessing.com/the-critic/</link>
					<comments>https://jeremycprocessing.com/the-critic/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Thu, 12 Sep 2024 19:34:11 +0000</pubDate>
				<category><![CDATA[Features]]></category>
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		<category><![CDATA[Anand Tucker]]></category>
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		<category><![CDATA[stage]]></category>
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		<category><![CDATA[UK]]></category>
		<guid isPermaLink="false">http://jeremycprocessing.com/?p=16566</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Anand Tucker – 2023 – UK – Cert. 15 – 101m</p>



<p class="wp-block-paragraph">The first four fifths of <em>The Critic</em> *****</p>



<p class="wp-block-paragraph">The final fifth of <em>The Critic</em> *</p>



<p class="wp-block-paragraph"><em>I</em><em>n</em><em> the 1930s, a London theatre critic, a flamboyant </em><em>homosexual</em><em> known for destroying careers with his acerbic prose, finds his job under threat from his newspaper’s new proprietor</em> – out in UK cinemas on Friday, September 13th</p>



<p class="wp-block-paragraph">This originally played in the Toronto Film Festival in a 95m version, only to be acquired for UK release on the proviso that an ‘unsatisfactory’ ending be changed by way of reshoots involving the director, the screenwriter (Patrick Marber), and key cast members. So this current cinema release is the version with the ending changed, and this writer found that new ending less than satisfactory. Which is a pity, because up to about the last twenty minutes, the film impresses.</p>



<p class="wp-block-paragraph">Now, one could construct a review narrative which says that the original ending must have worked better, and the film has been ruined by its UK distributor. It’s possible that that is indeed the case. However, not having seen that first cut, it is equally possible that the original ending had severe problems which this new version has attempted to fix, even if that doesn’t seem to have entirely worked, and that this new version is an improvement.&#8230; <a href="https://jeremycprocessing.com/the-critic/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Anand Tucker – 2023 – UK – Cert. 15 – 101m</p>



<p class="wp-block-paragraph">The first four fifths of <em>The Critic</em> *****</p>



<p class="wp-block-paragraph">The final fifth of <em>The Critic</em> *</p>



<p class="wp-block-paragraph"><em>I</em><em>n</em><em> the 1930s, a London theatre critic, a flamboyant </em><em>homosexual</em><em> known for destroying careers with his acerbic prose, finds his job under threat from his newspaper’s new proprietor</em> – out in UK cinemas on Friday, September 13th</p>



<p class="wp-block-paragraph">This originally played in the Toronto Film Festival in a 95m version, only to be acquired for UK release on the proviso that an ‘unsatisfactory’ ending be changed by way of reshoots involving the director, the screenwriter (Patrick Marber), and key cast members. So this current cinema release is the version with the ending changed, and this writer found that new ending less than satisfactory. Which is a pity, because up to about the last twenty minutes, the film impresses.</p>



<p class="wp-block-paragraph">Now, one could construct a review narrative which says that the original ending must have worked better, and the film has been ruined by its UK distributor. It’s possible that that is indeed the case. However, not having seen that first cut, it is equally possible that the original ending had severe problems which this new version has attempted to fix, even if that doesn’t seem to have entirely worked, and that this new version is an improvement.&hellip; <a href="https://jeremycprocessing.com/the-critic/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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