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	<title>promissory note &#8211; Jeremy C. Processing</title>
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	<title>promissory note &#8211; Jeremy C. Processing</title>
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		<title>Default (Gukgabudo-ui Nal, 국가부도의 날)</title>
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		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Wed, 22 May 2019 09:22:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
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		<category><![CDATA[Choi Kook-Hee]]></category>
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					<description><![CDATA[<p class="wp-block-paragraph">Director – <strong>Choi </strong>Kook-Hee – 2018 – South Korea – Cert. 12 – 114m</p>



<p class="wp-block-paragraph">****</p>



<p class="wp-block-paragraph"><em>Drama fictionalises the economic crisis of mid to late 1990s South Korea and the role played by banking, government and speculators </em>– teaser screening from the London Korean Film Festival (LKFF) 2019</p>



<p class="wp-block-paragraph">The year is 1996. The news media are championing South Korea’s economy as it seemingly goes from strength to strength, never questioning whether financial institutions might in fact be pursuing <strong>practices which are sooner or later going to have disastrous economic results</strong>. Ms. <strong>Han</strong> Si-hyun (<strong>Kim</strong> Hye-su) who runs a fiscal policy unit at the Bank of Korea submits a devastating report to the Bank’s governor, explaining that she and her small department have procedures set in place to save the economy and protect ordinary Koreans from disaster.</p>



<p class="wp-block-paragraph">The politicians have a very different agenda, however, specifically the smarmy Vice-Minister of Finance (<strong>Jo</strong> Woo-jin) who <strong>views financial collapse as a way to weaken the rights of the working class and restructure the economy in favour of large business interests</strong>. Although it’s not name checked, there are echoes here of <a href="https://www.dmovies.org/2016/05/24/electroshocking-brazil-chaos/">Naomi Klein’s book The Shock Doctrine and the film based upon it</a>.&#8230; <a href="https://jeremycprocessing.com/default-gukgabudo-ui-nal/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – <strong>Choi </strong>Kook-Hee – 2018 – South Korea – Cert. 12 – 114m</p>



<p class="wp-block-paragraph">****</p>



<p class="wp-block-paragraph"><em>Drama fictionalises the economic crisis of mid to late 1990s South Korea and the role played by banking, government and speculators </em>– teaser screening from the London Korean Film Festival (LKFF) 2019</p>



<p class="wp-block-paragraph">The year is 1996. The news media are championing South Korea’s economy as it seemingly goes from strength to strength, never questioning whether financial institutions might in fact be pursuing <strong>practices which are sooner or later going to have disastrous economic results</strong>. Ms. <strong>Han</strong> Si-hyun (<strong>Kim</strong> Hye-su) who runs a fiscal policy unit at the Bank of Korea submits a devastating report to the Bank’s governor, explaining that she and her small department have procedures set in place to save the economy and protect ordinary Koreans from disaster.</p>



<p class="wp-block-paragraph">The politicians have a very different agenda, however, specifically the smarmy Vice-Minister of Finance (<strong>Jo</strong> Woo-jin) who <strong>views financial collapse as a way to weaken the rights of the working class and restructure the economy in favour of large business interests</strong>. Although it’s not name checked, there are echoes here of <a href="https://www.dmovies.org/2016/05/24/electroshocking-brazil-chaos/">Naomi Klein’s book The Shock Doctrine and the film based upon it</a>.&hellip; <a href="https://jeremycprocessing.com/default-gukgabudo-ui-nal/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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