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	<title>Perfect Blue &#8211; Jeremy C. Processing</title>
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	<title>Perfect Blue &#8211; Jeremy C. Processing</title>
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	<item>
		<title>Perfect Blue (Pafekuto Buru, パーフェクトブルー)</title>
		<link>https://jeremycprocessing.com/perfect-blue/</link>
					<comments>https://jeremycprocessing.com/perfect-blue/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Fri, 21 May 1999 09:00:00 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[2D animation]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[anime]]></category>
		<category><![CDATA[Annecy]]></category>
		<category><![CDATA[Annecy 2026]]></category>
		<category><![CDATA[Argento]]></category>
		<category><![CDATA[Aronofsky]]></category>
		<category><![CDATA[ballerina. idol singer]]></category>
		<category><![CDATA[BFI Anime 2022]]></category>
		<category><![CDATA[Black Swan]]></category>
		<category><![CDATA[CHAM]]></category>
		<category><![CDATA[Dario Argento]]></category>
		<category><![CDATA[Darren Aronofsky]]></category>
		<category><![CDATA[doppelgänger]]></category>
		<category><![CDATA[drawn animation]]></category>
		<category><![CDATA[fan site]]></category>
		<category><![CDATA[Hitchcock]]></category>
		<category><![CDATA[identity crisis]]></category>
		<category><![CDATA[Japanese animation]]></category>
		<category><![CDATA[Mima]]></category>
		<category><![CDATA[mirror]]></category>
		<category><![CDATA[music industry]]></category>
		<category><![CDATA[Perfect Blue]]></category>
		<category><![CDATA[psycho thriller]]></category>
		<category><![CDATA[reflection]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[Satoshi Kon]]></category>
		<category><![CDATA[stalker]]></category>
		<category><![CDATA[TV crime thriller]]></category>
		<guid isPermaLink="false">http://jeremycprocessing.com/?p=7258</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Satoshi <strong>Kon</strong> – 1997 – Japan – Cert. 18 – 81m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Multi-layered, identity crisis psycho thriller redefines the boundaries of animation, Japanese or otherwise</em> – 4K Restoration  plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June</p>



<p class="wp-block-paragraph">During a gig by girl pop trio CHAM, one of its three singers Mima announces her decision to quit the band. Her intention to pursue an acting career is a move designed to both help her escape the inevitable waning popularity of the pop idol and make the public take her more seriously than they would the innocent girl they perceive her pop idol / persona to be.</p>



<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="800" height="450" src="https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Cham-1-800-x-450.jpg" alt="" class="wp-image-7260" srcset="https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Cham-1-800-x-450.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Cham-1-800-x-450-300x169.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Cham-1-800-x-450-768x432.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">Her agent, a former pop idol herself, expresses concern when Mima is first required to play a rape scene in her new daytime TV soap <em>Double Bind</em> and second to pose nude for a photographer. But there’s worse to come for Mima as an internet fan page starts to chronicle an idealised version of her life and a series of bloody corpses start piling up in her wake.</p>



<figure class="wp-block-image size-large"><img decoding="async" width="800" height="450" src="https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Mima-room-internet-1-800-x-450.jpg" alt="" class="wp-image-7268" srcset="https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Mima-room-internet-1-800-x-450.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Mima-room-internet-1-800-x-450-300x169.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Mima-room-internet-1-800-x-450-768x432.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">Although it plays like an Argento or De Palma Hitchcockian thriller, <em>Perfect Blue</em> is in fact a cel animated, subtitled Japanese affair that once and for all kills off widespread misconceptions about animation – it’s neither for kids, nor cute, nor simplistic.&#8230; <a href="https://jeremycprocessing.com/perfect-blue/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Satoshi <strong>Kon</strong> – 1997 – Japan – Cert. 18 – 81m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Multi-layered, identity crisis psycho thriller redefines the boundaries of animation, Japanese or otherwise</em> – 4K Restoration  plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June</p>



<p class="wp-block-paragraph">During a gig by girl pop trio CHAM, one of its three singers Mima announces her decision to quit the band. Her intention to pursue an acting career is a move designed to both help her escape the inevitable waning popularity of the pop idol and make the public take her more seriously than they would the innocent girl they perceive her pop idol / persona to be.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="800" height="450" src="https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Cham-1-800-x-450.jpg" alt="" class="wp-image-7260" srcset="https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Cham-1-800-x-450.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Cham-1-800-x-450-300x169.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Cham-1-800-x-450-768x432.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">Her agent, a former pop idol herself, expresses concern when Mima is first required to play a rape scene in her new daytime TV soap <em>Double Bind</em> and second to pose nude for a photographer. But there’s worse to come for Mima as an internet fan page starts to chronicle an idealised version of her life and a series of bloody corpses start piling up in her wake.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="800" height="450" src="https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Mima-room-internet-1-800-x-450.jpg" alt="" class="wp-image-7268" srcset="https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Mima-room-internet-1-800-x-450.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Mima-room-internet-1-800-x-450-300x169.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2022/04/Perfect-Blue-Mima-room-internet-1-800-x-450-768x432.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">Although it plays like an Argento or De Palma Hitchcockian thriller, <em>Perfect Blue</em> is in fact a cel animated, subtitled Japanese affair that once and for all kills off widespread misconceptions about animation – it’s neither for kids, nor cute, nor simplistic.&hellip; <a href="https://jeremycprocessing.com/perfect-blue/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Climbing (Keul-la-i-ming, 클라이밍)</title>
		<link>https://jeremycprocessing.com/climbing-keul-la-i-ming/</link>
					<comments>https://jeremycprocessing.com/climbing-keul-la-i-ming/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Thu, 18 Nov 2021 15:26:14 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[3D animation]]></category>
		<category><![CDATA[accident]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[baby]]></category>
		<category><![CDATA[car crash]]></category>
		<category><![CDATA[CG]]></category>
		<category><![CDATA[CG animation]]></category>
		<category><![CDATA[climbing]]></category>
		<category><![CDATA[climbing accident]]></category>
		<category><![CDATA[coach]]></category>
		<category><![CDATA[competitive sports]]></category>
		<category><![CDATA[computer animation]]></category>
		<category><![CDATA[Gu Ji-won]]></category>
		<category><![CDATA[gym]]></category>
		<category><![CDATA[Hitchcock]]></category>
		<category><![CDATA[Kim Hye-mi]]></category>
		<category><![CDATA[Kim Min-ji]]></category>
		<category><![CDATA[Korea]]></category>
		<category><![CDATA[LKFF]]></category>
		<category><![CDATA[LKFF 2021]]></category>
		<category><![CDATA[London Korean Film Festival]]></category>
		<category><![CDATA[London Korean Film Festival 2021]]></category>
		<category><![CDATA[mother]]></category>
		<category><![CDATA[mother-in-law]]></category>
		<category><![CDATA[Park Ju-gwang]]></category>
		<category><![CDATA[Park Song-yi]]></category>
		<category><![CDATA[Perfect Blue]]></category>
		<category><![CDATA[pregnancy]]></category>
		<category><![CDATA[rivalry]]></category>
		<category><![CDATA[South Korea]]></category>
		<category><![CDATA[womb]]></category>
		<guid isPermaLink="false">http://jeremycprocessing.com/?p=6108</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – <strong>Kim</strong> Hye-mi – 2021 – South Korea – Cert. 15 – 77m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Discovering she is pregnant, a professional sports climber finds herself moving between alternate realities</em> – <strong>playing tonight, Thursday, November 18th</strong> <strong>9pm</strong> <strong>at Genesis Cinema, Mile End (<a href="https://genesiscinema.co.uk/GenesisCinema.dll/Booking?Booking=TSelectItems.waSelectItemsPrompt.TcsWebMenuItem_0.TcsWebTab_0.TcsPerformance_24505353.TcsSection_4496269">book here</a>)</strong> as part of <strong>LKFF, the London Korean Film Festival</strong> which runs <strong>in cinemas from Thursday, November 4th to Friday, November 19th</strong></p>



<p class="wp-block-paragraph">A baby in a womb. In her dream, Sy-hyeon (voice: <strong>Kim</strong> Min-ji) tells her partner Woo-in (<strong>Gu</strong> Ji-won) on waking, she was pregnant and had an injured foot and arm in casts. Worried about her weight, she skips breakfast and heads to the climbing wall at the gym. She is one of the coach’s (<strong>Bak</strong> Jugwang) two stars along with Ah-in (<strong>Park</strong> Song-yi), and he expects the two women between them to achieve first and second prize in this year’s climbing competition. Sy-hyeon has been first in the past, but she starts to worry whether Ah-in could take her crown.</p>



<p class="wp-block-paragraph">After discovering in a drawer her old, mobile phone with the shattered screen from before she had the accident, Sy-hyeon starts to receive messages from her other self. One self is in good physical shape and training at the gym every day, the other is the pregnant one with the injured foot and arm sustained in a car accident, cloistered in an upstairs room in her partner’s mother’s house.&#8230; <a href="https://jeremycprocessing.com/climbing-keul-la-i-ming/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – <strong>Kim</strong> Hye-mi – 2021 – South Korea – Cert. 15 – 77m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Discovering she is pregnant, a professional sports climber finds herself moving between alternate realities</em> – <strong>playing tonight, Thursday, November 18th</strong> <strong>9pm</strong> <strong>at Genesis Cinema, Mile End (<a href="https://genesiscinema.co.uk/GenesisCinema.dll/Booking?Booking=TSelectItems.waSelectItemsPrompt.TcsWebMenuItem_0.TcsWebTab_0.TcsPerformance_24505353.TcsSection_4496269">book here</a>)</strong> as part of <strong>LKFF, the London Korean Film Festival</strong> which runs <strong>in cinemas from Thursday, November 4th to Friday, November 19th</strong></p>



<p class="wp-block-paragraph">A baby in a womb. In her dream, Sy-hyeon (voice: <strong>Kim</strong> Min-ji) tells her partner Woo-in (<strong>Gu</strong> Ji-won) on waking, she was pregnant and had an injured foot and arm in casts. Worried about her weight, she skips breakfast and heads to the climbing wall at the gym. She is one of the coach’s (<strong>Bak</strong> Jugwang) two stars along with Ah-in (<strong>Park</strong> Song-yi), and he expects the two women between them to achieve first and second prize in this year’s climbing competition. Sy-hyeon has been first in the past, but she starts to worry whether Ah-in could take her crown.</p>



<p class="wp-block-paragraph">After discovering in a drawer her old, mobile phone with the shattered screen from before she had the accident, Sy-hyeon starts to receive messages from her other self. One self is in good physical shape and training at the gym every day, the other is the pregnant one with the injured foot and arm sustained in a car accident, cloistered in an upstairs room in her partner’s mother’s house.&hellip; <a href="https://jeremycprocessing.com/climbing-keul-la-i-ming/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
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