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	<title>Park Song-yeol &#8211; Jeremy C. Processing</title>
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	<title>Park Song-yeol &#8211; Jeremy C. Processing</title>
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		<title>Hot In Day, Cold At Night (Naj-eneun Ddeobgo Bam-eneun Chubgo, 낮에는 덥고 밤에는 춥고)</title>
		<link>https://jeremycprocessing.com/hot-in-day-cold-at-night/</link>
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		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Mon, 07 Nov 2022 15:31:27 +0000</pubDate>
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					<description><![CDATA[<p class="wp-block-paragraph">Director – <strong>Park</strong> Song-yeol – 2020 – South Korea – Cert. 12 – 90m</p>



<p class="wp-block-paragraph">**</p>



<p class="wp-block-paragraph"><em>A young, unemployed, married Seoul couple struggle to make ends meet</em><em> –</em> from <strong>LKFF, the London Korean Film Festival</strong> which runs <strong>in cinemas from Thursday, November </strong><strong>3rd</strong><strong> to Thursday, November 17</strong><strong>th</strong></p>



<p class="wp-block-paragraph">Married Seoul couple Young-tae and Jeong-hee (played by screenwriters Park Song-yeol and <strong>Won</strong> Hyung-ra) are in financial trouble. Neither of them has a secure job with a regular income. They aren’t the only ones: he lends his mate Myung-su the family camera for a week so the latter can do some professional wedding photography to earn some money. If this sounds a bit odd, it sounds odder still when Young-tae finds his calls blocked and can’t get the camera back.</p>



<p class="wp-block-paragraph">Desperate for money, Young-tae goes for interviews and, after a row with an old friend who purports to be setting up a business but turns out trying to recruit him for a network marketing operation, which Young-tae dismisses as a pyramid scheme, he eventually picks up a job as a cabbie where one night he gets into a row with a customer over taking a quicker, toll road rather than a slower, free road and loses his deposit with the company.&#8230; <a href="https://jeremycprocessing.com/hot-in-day-cold-at-night/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – <strong>Park</strong> Song-yeol – 2020 – South Korea – Cert. 12 – 90m</p>



<p class="wp-block-paragraph">**</p>



<p class="wp-block-paragraph"><em>A young, unemployed, married Seoul couple struggle to make ends meet</em><em> –</em> from <strong>LKFF, the London Korean Film Festival</strong> which runs <strong>in cinemas from Thursday, November </strong><strong>3rd</strong><strong> to Thursday, November 17</strong><strong>th</strong></p>



<p class="wp-block-paragraph">Married Seoul couple Young-tae and Jeong-hee (played by screenwriters Park Song-yeol and <strong>Won</strong> Hyung-ra) are in financial trouble. Neither of them has a secure job with a regular income. They aren’t the only ones: he lends his mate Myung-su the family camera for a week so the latter can do some professional wedding photography to earn some money. If this sounds a bit odd, it sounds odder still when Young-tae finds his calls blocked and can’t get the camera back.</p>



<p class="wp-block-paragraph">Desperate for money, Young-tae goes for interviews and, after a row with an old friend who purports to be setting up a business but turns out trying to recruit him for a network marketing operation, which Young-tae dismisses as a pyramid scheme, he eventually picks up a job as a cabbie where one night he gets into a row with a customer over taking a quicker, toll road rather than a slower, free road and loses his deposit with the company.&hellip; <a href="https://jeremycprocessing.com/hot-in-day-cold-at-night/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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