neoliberalism – Jeremy C. Processing https://jeremycprocessing.com experience it, process it Wed, 14 Aug 2024 14:03:45 +0000 en-GB hourly 1 https://wordpress.org/?v=7.0.2 https://jeremycprocessing.com/wp-content/uploads/2020/07/cropped-2019-07-24-pic-by-Lowell-cropped-32x32.jpg neoliberalism – Jeremy C. Processing https://jeremycprocessing.com 32 32 Next Sohee (Da-eum So-hee, 다음 소희) https://jeremycprocessing.com/next-sohee-da-eum-so-hee/ https://jeremycprocessing.com/next-sohee-da-eum-so-hee/#comments Fri, 14 Jun 2024 17:08:11 +0000 http://jeremycprocessing.com/?p=15643 Director – July Jung – 2022 – South Korea – Cert. 18 – 134m

*****

A schoolgirl on an internship is appallingly exploited by her employers, and a police detective is called in to investigate – out in UK cinemas on Friday, June 14th

Here’s a film which presents a real problem for reviewers. Something monumental happens in the middle of the film which entirely changes it. It’s a little bit like the shift from the traumatic drama to the police manhunt in High and Low (Akira Kurosawa, 1963) and a bit like the infamous shower scene in the middle of Psycho (Alfred Hitchcock, 1960). And yet, the film is like neither of those classics in any other way (except, perhaps, the fact that it’s a remarkable film that will leave you with an indelible impression afterwards). Still, how much can a reviewer give away without ruining the film for audiences?

It’s very much a film of two halves. The first half centres around Sohee (Kim Se-eun), a star pupil at an average secondary school. She is obsessed with dancing, specifically the kind of dance moves associated with K-pop girl- and boy-bands. Among her friends are another former intern from her school who dropped out of her intern position and now spends her evenings getting paralytically drunk.… Read the rest

]]> Director – July Jung – 2022 – South Korea – Cert. 18 – 134m

*****

A schoolgirl on an internship is appallingly exploited by her employers, and a police detective is called in to investigate – out in UK cinemas on Friday, June 14th

Here’s a film which presents a real problem for reviewers. Something monumental happens in the middle of the film which entirely changes it. It’s a little bit like the shift from the traumatic drama to the police manhunt in High and Low (Akira Kurosawa, 1963) and a bit like the infamous shower scene in the middle of Psycho (Alfred Hitchcock, 1960). And yet, the film is like neither of those classics in any other way (except, perhaps, the fact that it’s a remarkable film that will leave you with an indelible impression afterwards). Still, how much can a reviewer give away without ruining the film for audiences?

It’s very much a film of two halves. The first half centres around Sohee (Kim Se-eun), a star pupil at an average secondary school. She is obsessed with dancing, specifically the kind of dance moves associated with K-pop girl- and boy-bands. Among her friends are another former intern from her school who dropped out of her intern position and now spends her evenings getting paralytically drunk.… Read the rest

]]> https://jeremycprocessing.com/next-sohee-da-eum-so-hee/feed/ 1 The Coup D’État Factory (A Fantástica Fábrica De Golpes) https://jeremycprocessing.com/the-coup-detat-factory/ https://jeremycprocessing.com/the-coup-detat-factory/#respond Wed, 25 May 2022 14:23:36 +0000 http://jeremycprocessing.com/?p=7782 Directors – Victor Fraga, Valnei Nunes – 2021 – UK, Brazil – 105m

****

An exploration of the role played by Brazilian media conglomerate Globo in various right wing Brazilian coup d’états over the decades – UK premiere on Sunday, May 29th 2pm at BFI Southbank followed by a discussion with special guests: Baroness Christine Blower, Jean Wyllys, Marcia Tiburi alongside the filmmakers

For the Brit, there’s something quite unnerving about coming to this documentary about the Brazilian political system and the role played within it by media conglomerate Globo, which controls the country’s most popular TV channel, newspapers and more. We think we have media bias problems here in the UK, but in this country we at least have a certain amount of press regulation enshrined in law and through such ethical bodies as the Press Council and institutions such as public service broadcasting.

That doesn’t appear to be the case in Brazil where, it seems, the media can do pretty much what they like without anyone holding them to account. Which also means that those outside of the country aren’t well-informed as to what goes on inside it since much of the information (or misinformation) about events from within the country is skewed.… Read the rest

]]> Directors – Victor Fraga, Valnei Nunes – 2021 – UK, Brazil – 105m

****

An exploration of the role played by Brazilian media conglomerate Globo in various right wing Brazilian coup d’états over the decades – UK premiere on Sunday, May 29th 2pm at BFI Southbank followed by a discussion with special guests: Baroness Christine Blower, Jean Wyllys, Marcia Tiburi alongside the filmmakers

For the Brit, there’s something quite unnerving about coming to this documentary about the Brazilian political system and the role played within it by media conglomerate Globo, which controls the country’s most popular TV channel, newspapers and more. We think we have media bias problems here in the UK, but in this country we at least have a certain amount of press regulation enshrined in law and through such ethical bodies as the Press Council and institutions such as public service broadcasting.

That doesn’t appear to be the case in Brazil where, it seems, the media can do pretty much what they like without anyone holding them to account. Which also means that those outside of the country aren’t well-informed as to what goes on inside it since much of the information (or misinformation) about events from within the country is skewed.… Read the rest

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