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	<title>horror macabre &#8211; Jeremy C. Processing</title>
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		<title>Coraline (3D)</title>
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		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Mon, 12 Aug 2024 18:52:36 +0000</pubDate>
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					<description><![CDATA[<p class="wp-block-paragraph">Director – Henry Selick – 2009 – US – Cert. PG – 100m</p>



<p class="wp-block-paragraph">UK release date 08/05/2009</p>



<p class="wp-block-paragraph"><em>Originally reviewed for Third Way in 2009; republished to coincide with not only the 15th anniversary cinema reissue of the film on Thursday, 15th August 2024, but also the LAIKA: Frame x Frame exhibition which shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential</em> <em>– click <a href="https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalink=laika-frame-by-frame">here</a>)</em> accompanied by a stop-frame animation season including all five LAIKA feature films and much, much more</p>



<p class="wp-block-paragraph">Selick has successfully positioned himself as Hollywood’s stop-frame puppet animation film-maker (as distinct from plasticine animation film-makers Nick Park and Aardman). His <em>The Nightmare Before Christmas</em> suggested leanings towards horror and the macabre; <em>Coraline</em> goes further in the sense that one’s immediate reaction after viewing was to question whether this was a film suitable for children (on reflection this may be a grown-up reaction and kids may in fact love the film, in much the same way that as a child I enjoyed hiding behind the sofa during the scary bits of <em>Dr. Who</em>.) The source material is an acclaimed children’s book by Neil Gaiman. Anyway, you have been warned.&#8230; <a href="https://jeremycprocessing.com/coraline-3d/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Henry Selick – 2009 – US – Cert. PG – 100m</p>



<p class="wp-block-paragraph">UK release date 08/05/2009</p>



<p class="wp-block-paragraph"><em>Originally reviewed for Third Way in 2009; republished to coincide with not only the 15th anniversary cinema reissue of the film on Thursday, 15th August 2024, but also the LAIKA: Frame x Frame exhibition which shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential</em> <em>– click <a href="https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalink=laika-frame-by-frame">here</a>)</em> accompanied by a stop-frame animation season including all five LAIKA feature films and much, much more</p>



<p class="wp-block-paragraph">Selick has successfully positioned himself as Hollywood’s stop-frame puppet animation film-maker (as distinct from plasticine animation film-makers Nick Park and Aardman). His <em>The Nightmare Before Christmas</em> suggested leanings towards horror and the macabre; <em>Coraline</em> goes further in the sense that one’s immediate reaction after viewing was to question whether this was a film suitable for children (on reflection this may be a grown-up reaction and kids may in fact love the film, in much the same way that as a child I enjoyed hiding behind the sofa during the scary bits of <em>Dr. Who</em>.) The source material is an acclaimed children’s book by Neil Gaiman. Anyway, you have been warned.&hellip; <a href="https://jeremycprocessing.com/coraline-3d/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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