*****

The much loved comic-generated franchise gets a remarkable reboot in animation that breaks the filmmaking mould to really get under the skin of the teenage experience – plays in the Annecy International Animation Festival 2026 which runs from Sunday, 21st June to Saturday 27th June.

Hollywood animated children’s films since the advent of computer animation. They all look the same. Okay, that’s not entirely fair, but with notable exceptions like the Laika films and the recent Spider-Verse films there’s a definite homogeneity to this output overall, industry wisdom dictating the production parameters and the overall look and feel. There’s a mould there, the films make money and producers are terrified to break that mould. Not so here.

The irony is that the Teenage Mutant Ninja Turtles property, born out of a late night joke between two comic book artists who never expected to sell more than a one-off issue, has spawned numerous spin-offs in comics, animated TV series, video games and movies. Somehow, the previous six movies – three in the 1990s (including Teenage Mutant Ninja Turtles, Steve Barron, 1990; Teenage Mutant Ninja Turtles II: The Secret Of The Ooze, Michael Pressman, 1991), one in 2007, and two more in the last decade following a reboot in 2014 – never quite delivered on the promise of the franchise, as if everyone concerned was too focused on the moneymaking potential and trying to play everything safe, an approach completely at odds with that of the two artists who originated the property and simply thought of it as a fun idea worth developing.… Read the rest

*

Sequel to The Snow Queen is a lacklustre CG effort, with script as perfunctory and animation as lacking in character as the worst video game. Orm the troll returns to Troll City following his vanquishing of The Snow Queen in the first film, where he pretends to be a valiant hero to marry the kingdom’s troll princess before getting tricked by his own reflection. The uninspired UK dub scarcely helps. Produced by the Night Watch franchise’s director Timur Bekmambetov, but of little note otherwise.

*****

A family is torn apart after the mother returns to the sea as a selkie – reviewed for Third Way, July 2015

Tomm Moore picked up an Oscar nomination for his medieval Irish animated fantasy The Secret Of Kells (2009). Like that earlier work, his equally impressive Song Of The Sea eschews Hollywood’s headlong rush towards 3D in favour of traditional 2D animation with an emphasis on drawing and visual design – and it’s a real pleasure to watch. A family movie in the best sense – there’s nothing here parents wouldn’t want children to see – it explores difficult issues about parents and children, being set in a family where, effectively, the mother has walked out leaving dad to look after the two kids. The plot employs Celtic folklorish figures of selkies – creatures who periodically change from female seals to human girls or women and back again.

Thus, the reason for the departure of Bronach (voice: Lisa Hannigan) a few minutes into the proceedings is that the sea is calling her to become a seal once again. She leaves behind her lighthouse keeper husband Conor (voice: Brendan Gleeson) and kids Ben (voice: David Rawle) & Saoirse (voice: Lucy O’Connell) to fend for themselves and their beloved dog Cu.… Read the rest

****

The adventurous mouse Pattie and her cautious, adoptive parent cat Sam help an ageing Jason and his skeletal Argonaut crew in a voyage to save the city of Yolcos from the wrath of Poseidon – out in UK cinemas in an English language dubbed version on Friday, February 10th

In Greek myth, forever immortalised in the cinema in Jason And The Argonauts (1963, Stop-Frame Animation & FX: Ray Harryhausen), the heroic Jason brings the Golden Fleece to his home city of Yolcos which then enjoys the protection of the Zeus against the unruly antics of the rest of the Gods in Mount Olympus. This French, animated children’s film, in which the two lead characters are anthropomorphised animals and which is released in the UK in an English language dubbed version, begins in that city around half a century later when Jason has reached a ripe old age and all his faithful Argonauts have died.

All the voice credits in the following review refer to the English language voice cast. Animation is different from live action, where dubbing can generally ruin actors’ performances in films, since in animation, voices and visual are created separately then married together.… Read the rest