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	<title>height &#8211; Jeremy C. Processing</title>
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	<title>height &#8211; Jeremy C. Processing</title>
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		<title>My Name Is Alfred Hitchcock</title>
		<link>https://jeremycprocessing.com/my-name-is-alfred-hitchcock/</link>
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		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Fri, 21 Jul 2023 09:26:01 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Live Action]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Alistair McGowan]]></category>
		<category><![CDATA[desire]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[escape]]></category>
		<category><![CDATA[film clips]]></category>
		<category><![CDATA[fulfilment]]></category>
		<category><![CDATA[height]]></category>
		<category><![CDATA[Hitch]]></category>
		<category><![CDATA[Hitchcock]]></category>
		<category><![CDATA[Janet Leigh]]></category>
		<category><![CDATA[loneliness]]></category>
		<category><![CDATA[Mark Cousins]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[obsession]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Svengali]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[Tippi Hedren]]></category>
		<category><![CDATA[UK]]></category>
		<category><![CDATA[Vera Miles]]></category>
		<guid isPermaLink="false">http://jeremycprocessing.com/?p=12394</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Mark Cousins – 2022 – UK – Cert. 15 – 120m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>I</em><em>diosyncratic documentary </em><em>is a personal journey through Hitchcock’s movies narrated by the legendary director himself</em> – out in UK cinemas on Friday, July 21st</p>



<p class="wp-block-paragraph">Hitchcock having been dead for over four decades, he doesn’t actually narrate this film. The voice over is instead a convincing impression by Alistair McGowan and even though you know it’s a trick, you soon settle in to the idea that Hitch genuinely recorded a voice over for this film. Cousins even plays along with the odd, “yes, Mr. Hitchcock.”</p>



<p class="wp-block-paragraph">Cousins has these days established himself as a documentarian of cinema, covering subjects as integral as the act of looking itself (<em><a href="https://jeremycprocessing.com/the-story-of-looking/">The Story Of Looking</a></em>, 2021) and key directors such as Orson Welles (<em><a href="https://www.dmovies.org/2018/08/03/the-eyes-of-orson-welles/">The Eyes Of Orson Welles</a></em>, 2018). He’s very knowledgeable on cinema and numerous other subjects, and the effect is rather like spending a pleasant evening chatting in the pub with a friend possessing these skillsets (albeit a pub equipped with the ability to unobtrusively show film clips as and when needed). He’s also very much his own man, a superb communicator with his own unique way of looking at things, so you’d expect a film about as well known a director as Hitch to be not only well-informed about its subject but also to offer some unique insight or perspective that mark the production out as coming out of Mark Cousins’ head.&#8230; <a href="https://jeremycprocessing.com/my-name-is-alfred-hitchcock/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Mark Cousins – 2022 – UK – Cert. 15 – 120m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>I</em><em>diosyncratic documentary </em><em>is a personal journey through Hitchcock’s movies narrated by the legendary director himself</em> – out in UK cinemas on Friday, July 21st</p>



<p class="wp-block-paragraph">Hitchcock having been dead for over four decades, he doesn’t actually narrate this film. The voice over is instead a convincing impression by Alistair McGowan and even though you know it’s a trick, you soon settle in to the idea that Hitch genuinely recorded a voice over for this film. Cousins even plays along with the odd, “yes, Mr. Hitchcock.”</p>



<p class="wp-block-paragraph">Cousins has these days established himself as a documentarian of cinema, covering subjects as integral as the act of looking itself (<em><a href="https://jeremycprocessing.com/the-story-of-looking/">The Story Of Looking</a></em>, 2021) and key directors such as Orson Welles (<em><a href="https://www.dmovies.org/2018/08/03/the-eyes-of-orson-welles/">The Eyes Of Orson Welles</a></em>, 2018). He’s very knowledgeable on cinema and numerous other subjects, and the effect is rather like spending a pleasant evening chatting in the pub with a friend possessing these skillsets (albeit a pub equipped with the ability to unobtrusively show film clips as and when needed). He’s also very much his own man, a superb communicator with his own unique way of looking at things, so you’d expect a film about as well known a director as Hitch to be not only well-informed about its subject but also to offer some unique insight or perspective that mark the production out as coming out of Mark Cousins’ head.&hellip; <a href="https://jeremycprocessing.com/my-name-is-alfred-hitchcock/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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