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A French-born widow visits her bereaved American husband’s family for his funeral, and demonic mayhem ensues – less fun than it sounds horror franchise entry is out in UK cinemas on Friday, July 10th

After her husband Will (George Pullar) is killed in a car accident, Alice (Souheila Yacoub) stays with his gathered family at their home for the funeral. She is French, and there’s a definite feeling that his family doesn’t like her very much, a situation compounded by his demise. Her late husband’s father Edgar (Errol Shand) is consumed with grief. Will’s younger brother Joseph (Hunter Doohan) and hs girlfriend Thya (Lucine Buchanon) don’t reallty know what to make of her. Her mother-in law Susan (Tandi Wright) is trapped in a desolate marriage with a man she was once passionate about. And the family’s half-senile grandmother Polly, (Maude Davie) is convinced Alice has stolen from her.

Polly’s late husband was obsessed with the Necronomicon, the fabled Book of the Dead that runs through the foundation of the Evil Dead franchise, and so it is that the family into whose proximity Alice finds herself thrust, turn, one by one, into demons.… Read the rest

*****

Henry VIII’s sixth wife Katherine Parr must navigate the increasingly treacherous waters between her desire for religious tolerance and Henry’s more authoritarian take on Christianity – out in UK cinemas on Friday, September 6th

With her husband Henry VIII away fighting wars abroad, the Queen – Henry’s sixth wife Katherine Parr (Alicia Vikander) – has been declared Regent. Yet, for all the power, at least temporarily, entrusted to her, she cannot go anywhere outside the castle without male guards. On the pretext of visiting a religious shrine to which only women can be admitted, she (and her loyal ladies in waiting) slip off to a forest glade where her old friend Anne Askew (Erin Doherty) is preaching on the fact that the Bible has recently been translated into English and therefore made available to the common people in their own language for the present time. “Where will it all end?”, Anne asks her small, gathered audience.

Where indeed? Katherine may be a reformer at heart, but she is also staunchly royalist and believes in the King both as an institution and Henry himself specifically.

And then Henry (Jude Law) comes back from the wars, bringing her time as Regent to an end.… Read the rest

Reviewed for Reform magazine.

History. The Tudors. King Henry VIII wanted a male heir to the throne. His first wife failed to deliver, so he divorced her. When the Pope excommunicated him, Henry set up the new, Protestant, Church of England. He kept marrying new wives who ended up, as a popular rhyme puts it, ‘divorced, beheaded, died, divorced, beheaded, survived’.

The wife who died, Jane Seymour, gave Henry his desired son – however, Edward (Patrick Buckley) later dies at age 15. The wife who survived, Katherine Parr (Alicia Vikander), is the subject of this movie, which deals with the later period of Henry’s sixth marriage… [Read the rest at Reform magazine]

[Read my longer, alternative review on this site.]

Firebrand is out in cinemas in the UK on Friday, September 6th.

Trailer:

***

Le Fast et la Furieuse. A young woman bike thief makes her mark on a group of bikers living in a bike repair shop run from a prison by its incarcerated owner – out in UK cinemas and exclusively on Curzon Hone Cinema on Friday, April 28th following its appearance in the BFI London Film Festival 2022

Julia (Julie Ledru) loves motorbikes. She loves riding them. And she loves stealing them. At various points in the narrative, she follows up ‘bike for sale’ ads, goes to see the seller, impresses them with her considerable knowledge, persuades them to let her test drive the bike by riding it alone for a certain distance then rides off with it. She’s also poor and living on a rundown housing estate, an environment beloved of a certain strata of French cinema (e.g. Two Of Three Things I Know About Her, Jean-Luc Godard, 1967, La Haine, Mathieu Kassovitz, 1995; District 13, Pierre Morel, 2004). Not that you see much of this environment after the opening reel. She represents a very French form of anti-hero, and if you don’t have any problem with her sense of entitlement and the fact that she sees nothing wrong with stealing, this is a rollicking good yarn.… Read the rest

What is a church, and why do people attend it? This is a documentary about Doctor Who fandom and conventions. At no point does it suggest, at least not in so many words, that such gatherings might be churches. Hold that word, ‘gathering’. It’s one that those of us who are religious often employ to describe ‘church’.

Screenwriter Matthew Jacobs has, for many years, avoided attending such gatherings… [Read the full review in Reform Magazine.]

Doctor Who Am I is out in cinemas in the UK on Thursday, October 27th and DVD & Digital Download Monday, 28th November.

Read a longer review elsewhere on this site.

Trailer:

*****

Earth (and its attendant spirit Gaia) have been attacked by aliens, its human and animal populations decimated, its cities deserted – review originally published in Ad Hoc magazine, 2001

The first computer-generated movie to dispense with real live actors in favour of their computer-generated counterparts – at least as far as the visuals go – Final Fantasy The Spirits Within proves as radical a departure as the first animated feature Snow White And The Seven Dwarfs (1937), the convincing computer-generated characters of Jurassic Park (Steven Spielberg, 1993) and the first computer-animated feature Toy Story (John Lasseter, 1995).

The lead heroine’s hair and the creases in the characters’ clothing both convince utterly. The characters’ movements are taken off real people and fed into a computer by a process known as motion capture, which also provided the incredible moving freeze-frame moments in The Matrix (Larry and Andy Wachowski, 1999).

Mouth movements spouting pre-recorded speech doesn’t quite come off every time while the facial expressions haven’t quite managed all the subtleties of human visages. Most of them, true, though not quite all. But then, the computer technology here is way ahead of another of this year’s animation highlights, the cartoony Shrek (Andrew Adamson, Vicky Jensen, 2001).… Read the rest

*****

The (not-so-) beautiful game. A WW2 PoW who becomes Manchester City’s goalkeeper is faced with anti-German prejudice both on and off the pitch – in cinemas from Friday, April 5th 2019

Set in WW2 and its aftermath in Britain, this looks at first sight like a football movie. However, it becomes something else altogether by taking a long hard look at the plight of a person living in another country that’s heavily prejudiced against his own. Sadly one doesn’t have to look very far in present day, hostile environment Britain to see that such attitudes are currently very real and out in the open.

German infantryman Bert Trautmann (David Kross) is captured by the British and sent to a PoW camp just outside Manchester. Despite the presence of a few hardcore Nazis among the prisoners, most including Bert are ordinary Germans caught up in the conflict. Nevertheless, the English sergeant who runs the camp would have all of them shot were the decision his and makes their lives as difficult as possible.

However Bert has something specific in his favour: for as long as he can remember, he’s loved playing football… [read more]

Full review published in DMovies.org… Read the rest