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	<title>drummer &#8211; Jeremy C. Processing</title>
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	<title>drummer &#8211; Jeremy C. Processing</title>
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		<title>Slade in Flame</title>
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		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Sun, 27 Apr 2025 23:01:54 +0000</pubDate>
				<category><![CDATA[Features]]></category>
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		<guid isPermaLink="false">http://jeremycprocessing.com/?p=18812</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Richard Loncraine – 1975 – UK – Cert. – 91m</p>



<p class="wp-block-paragraph">****</p>



<p class="wp-block-paragraph"><em>Slade play Flame, a small-time rock band who cut their musical teeth managed by lowlife crooks before going on to a meteoric rise and fall managed by corporate suits</em> – 2K Remaster for the film’s <strong>50th Anniversary Re-release </strong>is out on UHD / Blu-ray on Monday, May 19th </p>



<p class="wp-block-paragraph">In the early 1970s, four-piece pop act Slade (singer-guitarist Noddy Holder, bass player Jim Lea, guitarist Dave Hill and drummer Don Powell) were a British pop phenomenon. They clocked up six number one singles, with three going straight to the number one position. To capitalise on that success, the band’s manager Chas Chandler, previously Jim Hendrix’s manager and, before that, the bass player with The Animals, decided Slade should make a movie; the band, however, didn’t want to make light, upbeat, whimsical fantasies like The Beatles vehicles (<em>A Hard Day’s Night</em>, 1964; <em>Help!</em>, 1965, both Richard Lester; <em><a href="https://blog.alltheanime.com/yellow-submarine/">Yellow Submarine</a></em>, George Dunning, 1968); they wanted instead to make something darker, reflecting the experience of trying to make it in a band in England in the late 1960s.</p>



<figure class="wp-block-image size-full"><img fetchpriority="high" decoding="async" width="800" height="353" src="https://jeremycprocessing.com/wp-content/uploads/2025/04/Slade-in-Flame-3-800-x-353.jpg" alt="" class="wp-image-18815" srcset="https://jeremycprocessing.com/wp-content/uploads/2025/04/Slade-in-Flame-3-800-x-353.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2025/04/Slade-in-Flame-3-800-x-353-300x132.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2025/04/Slade-in-Flame-3-800-x-353-768x339.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">First-time feature director Richard Loncraine proved to be an inspired choice, confirmed both by the gritty, urban nature of his many subsequent films (<em>The Missionary</em>, 1982; <em>Bellman and True</em>, 1987; <em>Richard III</em>, 1995) and for his signature compositional style (letterbox frame, sepia-dominated palette), developed with cinematographer Peter Hannan (<em>The Missionary</em>, not to mention <em>Monty Python’s The Meaning of Life</em>, Terrys Gilliam and Jones, 1983).&#8230; <a href="https://jeremycprocessing.com/slade-in-flame/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Richard Loncraine – 1975 – UK – Cert. – 91m</p>



<p class="wp-block-paragraph">****</p>



<p class="wp-block-paragraph"><em>Slade play Flame, a small-time rock band who cut their musical teeth managed by lowlife crooks before going on to a meteoric rise and fall managed by corporate suits</em> – 2K Remaster for the film’s <strong>50th Anniversary Re-release </strong>is out on UHD / Blu-ray on Monday, May 19th </p>



<p class="wp-block-paragraph">In the early 1970s, four-piece pop act Slade (singer-guitarist Noddy Holder, bass player Jim Lea, guitarist Dave Hill and drummer Don Powell) were a British pop phenomenon. They clocked up six number one singles, with three going straight to the number one position. To capitalise on that success, the band’s manager Chas Chandler, previously Jim Hendrix’s manager and, before that, the bass player with The Animals, decided Slade should make a movie; the band, however, didn’t want to make light, upbeat, whimsical fantasies like The Beatles vehicles (<em>A Hard Day’s Night</em>, 1964; <em>Help!</em>, 1965, both Richard Lester; <em><a href="https://blog.alltheanime.com/yellow-submarine/">Yellow Submarine</a></em>, George Dunning, 1968); they wanted instead to make something darker, reflecting the experience of trying to make it in a band in England in the late 1960s.</p>



<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="800" height="353" src="https://jeremycprocessing.com/wp-content/uploads/2025/04/Slade-in-Flame-3-800-x-353.jpg" alt="" class="wp-image-18815" srcset="https://jeremycprocessing.com/wp-content/uploads/2025/04/Slade-in-Flame-3-800-x-353.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2025/04/Slade-in-Flame-3-800-x-353-300x132.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2025/04/Slade-in-Flame-3-800-x-353-768x339.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">First-time feature director Richard Loncraine proved to be an inspired choice, confirmed both by the gritty, urban nature of his many subsequent films (<em>The Missionary</em>, 1982; <em>Bellman and True</em>, 1987; <em>Richard III</em>, 1995) and for his signature compositional style (letterbox frame, sepia-dominated palette), developed with cinematographer Peter Hannan (<em>The Missionary</em>, not to mention <em>Monty Python’s The Meaning of Life</em>, Terrys Gilliam and Jones, 1983).&hellip; <a href="https://jeremycprocessing.com/slade-in-flame/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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		<title>Blue Giant (BLUE GIANT)</title>
		<link>https://jeremycprocessing.com/blue-giant/</link>
					<comments>https://jeremycprocessing.com/blue-giant/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Mon, 29 Jan 2024 08:25:00 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
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		<guid isPermaLink="false">http://jeremycprocessing.com/?p=14153</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Yuzura <strong>Tachikawa</strong> – 2023 – Japan – Cert. 12a – 120m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club</em> – out in UK cinemas on Wednesday, January 31st and Thursday, February 1st</p>



<p class="wp-block-paragraph">Before this property was a movie – an animated movie – it was a manga. Which, on one level, is nothing that out of the ordinary in Japan (see, for instance, basketball movie <a href="https://jeremycprocessing.com/the-first-slam-dunk/"><em>The First Slam Dunk</em></a>, Takehiko <strong>Inoue</strong>, 2022) but on another is extraordinary. <em>Blue Giant</em> is about music, specifically jazz, even more specifically teenager Dai <strong>Miyamoto</strong> (voice: Yuki <strong>Yamada</strong>; musicianship: Tomoaki <strong>Baba</strong>) who gives up basketball and decides he wants to be the best tenor sax player in the world. He rehearses intensively by the banks of the river in the city of Sendai where he lives, leaving for Tokyo at age 18 and talking his way into moving in with old pal Shunji <strong>Tamada (voice</strong>: Amane <strong>Okayama</strong>; musicianship: Shun <strong>Ishikawa</strong>).</p>



<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="800" height="450" src="https://jeremycprocessing.com/wp-content/uploads/2024/01/Blue-Giant-1-800-x-450.jpg" alt="" class="wp-image-14156" srcset="https://jeremycprocessing.com/wp-content/uploads/2024/01/Blue-Giant-1-800-x-450.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2024/01/Blue-Giant-1-800-x-450-300x169.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2024/01/Blue-Giant-1-800-x-450-768x432.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">Unsure where to start, Dai visits a bar named Jazz – Take Two where the friendly Mama-san Akiko (voice: Sayaka<strong> Kinoshita</strong>), who no longer hosts live jazz gigs there, takes pity on him and plays him selections from her vast wall of jazz LPs.&#8230; <a href="https://jeremycprocessing.com/blue-giant/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Yuzura <strong>Tachikawa</strong> – 2023 – Japan – Cert. 12a – 120m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Three 18-year-olds form a jazz band with the aim of playing at Tokyo’s top jazz club</em> – out in UK cinemas on Wednesday, January 31st and Thursday, February 1st</p>



<p class="wp-block-paragraph">Before this property was a movie – an animated movie – it was a manga. Which, on one level, is nothing that out of the ordinary in Japan (see, for instance, basketball movie <a href="https://jeremycprocessing.com/the-first-slam-dunk/"><em>The First Slam Dunk</em></a>, Takehiko <strong>Inoue</strong>, 2022) but on another is extraordinary. <em>Blue Giant</em> is about music, specifically jazz, even more specifically teenager Dai <strong>Miyamoto</strong> (voice: Yuki <strong>Yamada</strong>; musicianship: Tomoaki <strong>Baba</strong>) who gives up basketball and decides he wants to be the best tenor sax player in the world. He rehearses intensively by the banks of the river in the city of Sendai where he lives, leaving for Tokyo at age 18 and talking his way into moving in with old pal Shunji <strong>Tamada (voice</strong>: Amane <strong>Okayama</strong>; musicianship: Shun <strong>Ishikawa</strong>).</p>



<figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="800" height="450" src="https://jeremycprocessing.com/wp-content/uploads/2024/01/Blue-Giant-1-800-x-450.jpg" alt="" class="wp-image-14156" srcset="https://jeremycprocessing.com/wp-content/uploads/2024/01/Blue-Giant-1-800-x-450.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2024/01/Blue-Giant-1-800-x-450-300x169.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2024/01/Blue-Giant-1-800-x-450-768x432.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">Unsure where to start, Dai visits a bar named Jazz – Take Two where the friendly Mama-san Akiko (voice: Sayaka<strong> Kinoshita</strong>), who no longer hosts live jazz gigs there, takes pity on him and plays him selections from her vast wall of jazz LPs.&hellip; <a href="https://jeremycprocessing.com/blue-giant/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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