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	<title>driving licence &#8211; Jeremy C. Processing</title>
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	<title>driving licence &#8211; Jeremy C. Processing</title>
	<link>https://jeremycprocessing.com</link>
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		<title>Under The Open Sky (Subarashiki Sekai, すばらしき世界)</title>
		<link>https://jeremycprocessing.com/under-the-open-sky/</link>
					<comments>https://jeremycprocessing.com/under-the-open-sky/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Wed, 22 Mar 2023 17:51:11 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Live Action]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[#JFTFP23]]></category>
		<category><![CDATA[anger management]]></category>
		<category><![CDATA[bureaucracy]]></category>
		<category><![CDATA[care worker]]></category>
		<category><![CDATA[caseworker]]></category>
		<category><![CDATA[convict]]></category>
		<category><![CDATA[courts]]></category>
		<category><![CDATA[driving lessons]]></category>
		<category><![CDATA[driving licence]]></category>
		<category><![CDATA[ex-convict]]></category>
		<category><![CDATA[fights]]></category>
		<category><![CDATA[go straight]]></category>
		<category><![CDATA[Hakuryu]]></category>
		<category><![CDATA[Isao Hashizume]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Japan Foundation]]></category>
		<category><![CDATA[Japan Foundation Touring Film Programme]]></category>
		<category><![CDATA[Japan Foundation Touring Film Programme 2023]]></category>
		<category><![CDATA[jobcentre]]></category>
		<category><![CDATA[JPF]]></category>
		<category><![CDATA[JPF 2023]]></category>
		<category><![CDATA[JPF Touring Programme]]></category>
		<category><![CDATA[Koji Yakusho]]></category>
		<category><![CDATA[law]]></category>
		<category><![CDATA[life of crime]]></category>
		<category><![CDATA[losing your temper]]></category>
		<category><![CDATA[manslaughter]]></category>
		<category><![CDATA[Masami Nagasawa]]></category>
		<category><![CDATA[Meiko Kaji]]></category>
		<category><![CDATA[Midoriko Kimura]]></category>
		<category><![CDATA[Miwa Nishikawa]]></category>
		<category><![CDATA[murder]]></category>
		<category><![CDATA[neighbourhood association]]></category>
		<category><![CDATA[nursing home]]></category>
		<category><![CDATA[pick fights]]></category>
		<category><![CDATA[prison]]></category>
		<category><![CDATA[prison sentence]]></category>
		<category><![CDATA[rag trade]]></category>
		<category><![CDATA[sewing machine]]></category>
		<category><![CDATA[shopkeeper]]></category>
		<category><![CDATA[Taiga Nakano]]></category>
		<category><![CDATA[troublemakers]]></category>
		<category><![CDATA[TV magazine programme]]></category>
		<category><![CDATA[yauza]]></category>
		<guid isPermaLink="false">http://jeremycprocessing.com/?p=10971</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Miwa Nishikawa – 2020 – Japan – 126m</p>



<p class="wp-block-paragraph">***1/2</p>



<p class="wp-block-paragraph"><em>A former yakuza killer having served his sentence for murder comes out of prison and attempts to go straight</em> – plays UK cinemas in the <a href="https://www.jpf-film.org.uk/">Japan Foundation Touring Film Programme</a> 2023 between Friday, 3rd February and Friday, 31st March</p>



<p class="wp-block-paragraph">Masao Mikami (Koji Yakusho) completes his prison sentence and comes out on good terms with the prison staff, who helpfully advise him, in an almost friendly manner, of not returning to his former ways. While it is indeed the convict’s intention to live within the law from here on in, there remains a gulf between him and those charged with guarding him. He thinks the courts should have given him a lesser sentence for the killing he committed, i.e. manslaughter motivated by self-defence not murder. However, he doesn’t appear to bear grudges about this. He seems to have a problem with losing his temper and controlling his anger, something he’s going to have to work on if he is to survive as a law-abiding citizen.</p>



<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="800" height="400" src="https://jeremycprocessing.com/wp-content/uploads/2023/03/Under-The-Open-Sky-5.-800-x-400.jpg" alt="" class="wp-image-10977" srcset="https://jeremycprocessing.com/wp-content/uploads/2023/03/Under-The-Open-Sky-5.-800-x-400.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2023/03/Under-The-Open-Sky-5.-800-x-400-300x150.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2023/03/Under-The-Open-Sky-5.-800-x-400-768x384.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">The Shojis (Isao Hashizume and Meiko Kaji), a sympathetic couple of around his age, provide him with free bed and board until he can find a job and get back on his feet.&#8230; <a href="https://jeremycprocessing.com/under-the-open-sky/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Miwa Nishikawa – 2020 – Japan – 126m</p>



<p class="wp-block-paragraph">***1/2</p>



<p class="wp-block-paragraph"><em>A former yakuza killer having served his sentence for murder comes out of prison and attempts to go straight</em> – plays UK cinemas in the <a href="https://www.jpf-film.org.uk/">Japan Foundation Touring Film Programme</a> 2023 between Friday, 3rd February and Friday, 31st March</p>



<p class="wp-block-paragraph">Masao Mikami (Koji Yakusho) completes his prison sentence and comes out on good terms with the prison staff, who helpfully advise him, in an almost friendly manner, of not returning to his former ways. While it is indeed the convict’s intention to live within the law from here on in, there remains a gulf between him and those charged with guarding him. He thinks the courts should have given him a lesser sentence for the killing he committed, i.e. manslaughter motivated by self-defence not murder. However, he doesn’t appear to bear grudges about this. He seems to have a problem with losing his temper and controlling his anger, something he’s going to have to work on if he is to survive as a law-abiding citizen.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="800" height="400" src="https://jeremycprocessing.com/wp-content/uploads/2023/03/Under-The-Open-Sky-5.-800-x-400.jpg" alt="" class="wp-image-10977" srcset="https://jeremycprocessing.com/wp-content/uploads/2023/03/Under-The-Open-Sky-5.-800-x-400.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2023/03/Under-The-Open-Sky-5.-800-x-400-300x150.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2023/03/Under-The-Open-Sky-5.-800-x-400-768x384.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">The Shojis (Isao Hashizume and Meiko Kaji), a sympathetic couple of around his age, provide him with free bed and board until he can find a job and get back on his feet.&hellip; <a href="https://jeremycprocessing.com/under-the-open-sky/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Hive</title>
		<link>https://jeremycprocessing.com/hive/</link>
					<comments>https://jeremycprocessing.com/hive/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Wed, 16 Mar 2022 15:12:41 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Live Action]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[absent husband]]></category>
		<category><![CDATA[Avjar]]></category>
		<category><![CDATA[beehaives]]></category>
		<category><![CDATA[bees]]></category>
		<category><![CDATA[Blerta Basholli]]></category>
		<category><![CDATA[bodies]]></category>
		<category><![CDATA[breadwinner]]></category>
		<category><![CDATA[conformity]]></category>
		<category><![CDATA[Çun Lajçi]]></category>
		<category><![CDATA[driving licence]]></category>
		<category><![CDATA[father-in-law]]></category>
		<category><![CDATA[former Yugoslvia]]></category>
		<category><![CDATA[gender stereotypes]]></category>
		<category><![CDATA[graves]]></category>
		<category><![CDATA[independence]]></category>
		<category><![CDATA[Kosovo]]></category>
		<category><![CDATA[missing persons]]></category>
		<category><![CDATA[mothers and children]]></category>
		<category><![CDATA[non-conformity]]></category>
		<category><![CDATA[parenting]]></category>
		<category><![CDATA[patriarchy]]></category>
		<category><![CDATA[post-war]]></category>
		<category><![CDATA[red pepper]]></category>
		<category><![CDATA[slut-shaming]]></category>
		<category><![CDATA[teenage daughter]]></category>
		<category><![CDATA[victims]]></category>
		<category><![CDATA[war]]></category>
		<category><![CDATA[Yllka Gashi]]></category>
		<guid isPermaLink="false">http://jeremycprocessing.com/?p=7008</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Blerta Basholli – 2021 – Kosovo – Cert. 15 – 84m</p>



<p class="wp-block-paragraph">***</p>



<p class="wp-block-paragraph"><em>A woman whose husband went missing during the war encounters prejudice when she starts a small business to support herself and her family </em>– out in cinemas on Friday, March 18th</p>



<p class="wp-block-paragraph">Kosovan woman Fahrije (Yllka Gashi) lives with her teenage daughter and younger son and her father-in-law Haxhiu (Çun Lajçi). Her absent husband disappeared during the war and is likely dead, but no-one knows for certain and she keeps looking whenever more graves are discovered, often with clothes of the victims rather than their bodies. So far she has been unable to identify him, something of an emotional nightmare. She still tends his beehives, but occasionally gets stung and wonders how he managed to avoid that. Answer: he had a way with bees that she doesn’t.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="800" height="480" src="https://jeremycprocessing.com/wp-content/uploads/2022/03/Hive_Still_7-800-x-480.jpg" alt="" class="wp-image-7010" srcset="https://jeremycprocessing.com/wp-content/uploads/2022/03/Hive_Still_7-800-x-480.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2022/03/Hive_Still_7-800-x-480-300x180.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2022/03/Hive_Still_7-800-x-480-768x461.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">However, life must go on and in the absence of a male breadwinner, she must provide income to feed herself, her kids and her father-in-law. She meets with other women in the village, some of whom are presumably in the same situation as she, and decides to set up a food business, making and selling jars of Avjar (roasted red pepper spread).&#8230; <a href="https://jeremycprocessing.com/hive/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Blerta Basholli – 2021 – Kosovo – Cert. 15 – 84m</p>



<p class="wp-block-paragraph">***</p>



<p class="wp-block-paragraph"><em>A woman whose husband went missing during the war encounters prejudice when she starts a small business to support herself and her family </em>– out in cinemas on Friday, March 18th</p>



<p class="wp-block-paragraph">Kosovan woman Fahrije (Yllka Gashi) lives with her teenage daughter and younger son and her father-in-law Haxhiu (Çun Lajçi). Her absent husband disappeared during the war and is likely dead, but no-one knows for certain and she keeps looking whenever more graves are discovered, often with clothes of the victims rather than their bodies. So far she has been unable to identify him, something of an emotional nightmare. She still tends his beehives, but occasionally gets stung and wonders how he managed to avoid that. Answer: he had a way with bees that she doesn’t.</p>



<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="800" height="480" src="https://jeremycprocessing.com/wp-content/uploads/2022/03/Hive_Still_7-800-x-480.jpg" alt="" class="wp-image-7010" srcset="https://jeremycprocessing.com/wp-content/uploads/2022/03/Hive_Still_7-800-x-480.jpg 800w, https://jeremycprocessing.com/wp-content/uploads/2022/03/Hive_Still_7-800-x-480-300x180.jpg 300w, https://jeremycprocessing.com/wp-content/uploads/2022/03/Hive_Still_7-800-x-480-768x461.jpg 768w" sizes="auto, (max-width: 800px) 100vw, 800px" /></figure>



<p class="wp-block-paragraph">However, life must go on and in the absence of a male breadwinner, she must provide income to feed herself, her kids and her father-in-law. She meets with other women in the village, some of whom are presumably in the same situation as she, and decides to set up a food business, making and selling jars of Avjar (roasted red pepper spread).&hellip; <a href="https://jeremycprocessing.com/hive/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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