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	<title>crew member &#8211; Jeremy C. Processing</title>
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		<title>Stopmotion</title>
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					<comments>https://jeremycprocessing.com/stopmotion/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Fri, 31 May 2024 10:59:25 +0000</pubDate>
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		<guid isPermaLink="false">http://jeremycprocessing.com/?p=15412</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Robert Morgan – 2023 – UK – Cert. 18 – 93m</p>



<p class="wp-block-paragraph">***1/2</p>



<p class="wp-block-paragraph"><em>The bereaved daughter of a stop-frame animator attempts to complete her late mother’s last film</em> – out on Shudder UK, Ireland, US, Canada, Australia and New Zealand from Friday, May 31st</p>



<p class="wp-block-paragraph">Let’s get the bad news out of the way first: this is not what it says on the tin. Anyone expecting another <a href="https://jeremycprocessing.com/mad-god/"><em>Mad God</em></a> (Phil Tippett, 1987-2021, and a long-standing Shudder favourite) or <a href="https://jeremycprocessing.com/junk-head/"><em>Junk Head</em></a> (Takahide <strong>Hori,</strong> 2021) is going to be disappointed. This is not a stop-motion film; it’s a stop-motion / live action combination film, with the physical stop-motion component of the production forming maybe a tenth of the whole.</p>



<p class="wp-block-paragraph">Unless, of course, you’re looking only at story or script. In which case, this film is all about stop-motion animation and obsession. But executed in live action. Because, after all, who would want to spend all their time moving a puppet a bit, then shooting a frame, then moving it a bit more, and taking another frame, and so on when you can shoot live action and capture a shot of whatever length on film? (The answer is, anyone who loves animation generally and stop-motion animation in particular.)&#8230; <a href="https://jeremycprocessing.com/stopmotion/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Robert Morgan – 2023 – UK – Cert. 18 – 93m</p>



<p class="wp-block-paragraph">***1/2</p>



<p class="wp-block-paragraph"><em>The bereaved daughter of a stop-frame animator attempts to complete her late mother’s last film</em> – out on Shudder UK, Ireland, US, Canada, Australia and New Zealand from Friday, May 31st</p>



<p class="wp-block-paragraph">Let’s get the bad news out of the way first: this is not what it says on the tin. Anyone expecting another <a href="https://jeremycprocessing.com/mad-god/"><em>Mad God</em></a> (Phil Tippett, 1987-2021, and a long-standing Shudder favourite) or <a href="https://jeremycprocessing.com/junk-head/"><em>Junk Head</em></a> (Takahide <strong>Hori,</strong> 2021) is going to be disappointed. This is not a stop-motion film; it’s a stop-motion / live action combination film, with the physical stop-motion component of the production forming maybe a tenth of the whole.</p>



<p class="wp-block-paragraph">Unless, of course, you’re looking only at story or script. In which case, this film is all about stop-motion animation and obsession. But executed in live action. Because, after all, who would want to spend all their time moving a puppet a bit, then shooting a frame, then moving it a bit more, and taking another frame, and so on when you can shoot live action and capture a shot of whatever length on film? (The answer is, anyone who loves animation generally and stop-motion animation in particular.)&hellip; <a href="https://jeremycprocessing.com/stopmotion/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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