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	<title>cram for exams &#8211; Jeremy C. Processing</title>
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		<title>Karate Kid Legends</title>
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		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Thu, 29 May 2025 11:53:57 +0000</pubDate>
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		<guid isPermaLink="false">https://jeremycprocessing.com/?p=19070</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Jonathan <strong>Entwhistle</strong> – 2025 – US – Cert. 12a – 94m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Latest franchise entry plays by all the rules that you would expect, yet somehow manages to completely break the mould </em><em>and come up with something fresh and original </em>– out in UK cinemas on Wednesday, May 28th</p>



<p class="wp-block-paragraph">All a Karate Kid movie has to do is put a boy in peril from a bully or similar, then have him schooled in martial arts by a trainer to discover his inner strength and ultimately overcome the bully in combat. This is facilitated by a fight competition at the end, in which the two come face to face with one another. While the original <em>The Karate Kid</em> (John G. <strong>Avildsen</strong>, 1984) clearly struck enough of a chord to spawn more films, some entries, such as <a href="https://jeremycprocessing.com/the-karate-kid-part-iii/"><em>The Karate Kid Part III</em></a> (John G. Avildsen, 1989), have felt worn, tired and clichéd.</p>



<p class="wp-block-paragraph">That changed with the genuinely brilliant idea of introducing Hong Kong’s clown prince of kung fu <a href="https://jeremycprocessing.com/tag/jackie-chan/">Jackie <strong>Chan</strong></a> as the trainer in the two decades later remake <em>The Karate Kid</em> (Harold <strong>Zwart</strong>, 2010), which breathed new life into the big screen franchise (there have also been live action and animated spin-offs made for television).&#8230; <a href="https://jeremycprocessing.com/karate-kid-legends/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Jonathan <strong>Entwhistle</strong> – 2025 – US – Cert. 12a – 94m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Latest franchise entry plays by all the rules that you would expect, yet somehow manages to completely break the mould </em><em>and come up with something fresh and original </em>– out in UK cinemas on Wednesday, May 28th</p>



<p class="wp-block-paragraph">All a Karate Kid movie has to do is put a boy in peril from a bully or similar, then have him schooled in martial arts by a trainer to discover his inner strength and ultimately overcome the bully in combat. This is facilitated by a fight competition at the end, in which the two come face to face with one another. While the original <em>The Karate Kid</em> (John G. <strong>Avildsen</strong>, 1984) clearly struck enough of a chord to spawn more films, some entries, such as <a href="https://jeremycprocessing.com/the-karate-kid-part-iii/"><em>The Karate Kid Part III</em></a> (John G. Avildsen, 1989), have felt worn, tired and clichéd.</p>



<p class="wp-block-paragraph">That changed with the genuinely brilliant idea of introducing Hong Kong’s clown prince of kung fu <a href="https://jeremycprocessing.com/tag/jackie-chan/">Jackie <strong>Chan</strong></a> as the trainer in the two decades later remake <em>The Karate Kid</em> (Harold <strong>Zwart</strong>, 2010), which breathed new life into the big screen franchise (there have also been live action and animated spin-offs made for television).&hellip; <a href="https://jeremycprocessing.com/karate-kid-legends/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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