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Unaware a woman has unwittingly summoned Count Orloc, her husband is sent to the latter’s castle in Transylvania – out in UK cinemas on Wednesday, January 1st 2025

The German expressionist silent film Nosferatu (F.W. Murnau, 1922) has been described as setting the cinematic template for the horror film. Broadly speaking, it’s an unofficial adaptation of Bram Stoker’s novel Dracula, with names changed for the purposes either of connecting to the German audience or avoiding copyright issues. While there have been numerous Dracula movie adaptations and spin-offs over the years, remakes of the 1922 film are comparatively few and far between; prior to the current film, Werner Herzog notably made Nosferatu the Vampyre (1979).

Eggers is a great admirer of the 1922 film, and originally planned to remake it after The Witch (2015). It’s not hard to see why. His films have about them a terrible sense of dread, of dire events about to occur. Like F.W. Murnau, he is a great visual stylist (although the silent film industry of the 1920s was very different to the far more sophisticated sector of today). The film has had time to marinate in his head for the best part of a decade, which has probably done the project no harm at all.… Read the rest

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An idiosyncratic history of moving image technology and its increasingly pervasive role in human society, from camera obscura to smartphones and social media – out in UK cinemas on Friday, April 19th

To understand what this movie is about, which I’m not sure I did going in, you have to understand its title. The fantastic machine in question is, in part, the camera. That might lead you to anticipate a history of photography, but that’s not quite what this is about. You’d be forgiven for believing that, though, for the first few minutes when we see a contemporary, on the street, walk-in exhibit of the camera obscura or pinhole camera, a natural optical phenomenon whereby light passes through a simple pinhole onto a surface or screen beyond to recreate an inverted image of where the light came from. As a visitor marvels of the resultant, real time moving image of people outside the exhibit walking around, “it’s upside down”. As a human guide to the exhibition explains, that’s how the human eye works. Our brains correct the upside down image so that appears the right way up.… Read the rest

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Based on a true story; the state attempts to prosecute the software developer of the file sharing programme Winny for copyright violation – plays UK cinemas in the Japan Foundation Touring Film Programme 2024 between Friday, 2nd February and Sunday, 31st March

2003. After programmer Isamu Kaneko (Masahiro Takashide) creates a file-sharing programme Winny, the media reports that people are using it to illegally download movies. Across Japan in late November, a series of police raids on flats leads to the arrests of several Winny users, along with its creator. In custody and being questioned, Kaneko is very bad at paying attention. Believing the cops have his and society’s best interests at heart, he cooperates by copying into his own handwriting a confession they have written and signing it, on the verbal understanding that he can change or tweak the document before it is used in court. The interrogating cop, however, has deceived him into making a statement that will stand as evidence in court.

Defence attorney Toshimitsu Dan (Takahiro Miura) agrees to take on Kaneko’s case and is horrified by the computer programmer’s naivety about all things legal.… Read the rest