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	<title>Columbus &#8211; Jeremy C. Processing</title>
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		<title>Ready Player One</title>
		<link>https://jeremycprocessing.com/ready-player-one/</link>
					<comments>https://jeremycprocessing.com/ready-player-one/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Mon, 26 Mar 2018 13:03:47 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
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		<category><![CDATA[Atari]]></category>
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		<category><![CDATA[Columbus]]></category>
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		<category><![CDATA[gaming]]></category>
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		<category><![CDATA[Ready Player One]]></category>
		<category><![CDATA[Schindler's List]]></category>
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		<category><![CDATA[Steven Spielberg]]></category>
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					<description><![CDATA[<p class="wp-block-paragraph">Director – Steven Spielberg – 2018 – US – 12a – 140m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Get your game on. Spielberg heads back to the future using Tye Sheridan as his avatar inside a visually lavish virtual world stuffed with 80s pop culture references and dirtylicious resonances – now on <a href="https://www.netflix.com/watch/80211726">Netflix</a></em></p>



<p class="wp-block-paragraph">Spielberg has long been happy to move between big-budget spectaculars like <em><a href="https://jeremycprocessing.com/jurassic-park/">Jurassic Park</a></em> (1993) which push the boundaries of what’s possible in film and culturally significant stories like <em>Schindler’s List</em> (1993) which rely less on special effects or reshaping the blockbuster medium. Following <em>Bridge Of Spies</em> (2015) and <em><a href="https://jeremycprocessing.com/the-post-2017/">The Post</a></em> (2017), Spielberg now brings audiences <em>Ready Player One </em>which represents something he’s been trying to make for years – a movie which gets into the heads of gamers.</p>



<p class="wp-block-paragraph">Among his earlier forays, <em><a href="https://jeremycprocessing.com/the-lost-world-jurassic-park/">The Lost World: Jurassic Park</a></em> (1997) felt like a funny mixture of a sequel and an attempt at realising the gamer world (think: racing through fields in vehicles surrounded by numerous running dinosaurs). Subsequent films <em>A.I.</em> (2001) and <em>Minority Report</em> (2002) both boast futuristic environments that might not look out of place in a state of the art video game. <strong>Further, the experience of watching <em>The Adventures Of Tintin</em> (2011) recalls the process of actually playing a computer game.</strong>&#8230; <a href="https://jeremycprocessing.com/ready-player-one/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Steven Spielberg – 2018 – US – 12a – 140m</p>



<p class="wp-block-paragraph">*****</p>



<p class="wp-block-paragraph"><em>Get your game on. Spielberg heads back to the future using Tye Sheridan as his avatar inside a visually lavish virtual world stuffed with 80s pop culture references and dirtylicious resonances – now on <a href="https://www.netflix.com/watch/80211726">Netflix</a></em></p>



<p class="wp-block-paragraph">Spielberg has long been happy to move between big-budget spectaculars like <em><a href="https://jeremycprocessing.com/jurassic-park/">Jurassic Park</a></em> (1993) which push the boundaries of what’s possible in film and culturally significant stories like <em>Schindler’s List</em> (1993) which rely less on special effects or reshaping the blockbuster medium. Following <em>Bridge Of Spies</em> (2015) and <em><a href="https://jeremycprocessing.com/the-post-2017/">The Post</a></em> (2017), Spielberg now brings audiences <em>Ready Player One </em>which represents something he’s been trying to make for years – a movie which gets into the heads of gamers.</p>



<p class="wp-block-paragraph">Among his earlier forays, <em><a href="https://jeremycprocessing.com/the-lost-world-jurassic-park/">The Lost World: Jurassic Park</a></em> (1997) felt like a funny mixture of a sequel and an attempt at realising the gamer world (think: racing through fields in vehicles surrounded by numerous running dinosaurs). Subsequent films <em>A.I.</em> (2001) and <em>Minority Report</em> (2002) both boast futuristic environments that might not look out of place in a state of the art video game. <strong>Further, the experience of watching <em>The Adventures Of Tintin</em> (2011) recalls the process of actually playing a computer game.</strong>&hellip; <a href="https://jeremycprocessing.com/ready-player-one/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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