**

Two musical performing mice attempt to board Noah’s Ark, where a despotic lion and his thuggish entourage attempt to lord it over the other animals in a singing contest –animated feature is out in UK cinemas on Friday, August 23rd

Two mice – Tommy (voice: Marcelo Adnet) who sings and his accompanist pal Vini (voice: Rodrigo Santoro) who plays a four-string guitar – appear to be at the pinnacle of success, but when the lights go down, they are revealed to be playing the empty bar of Mrs Ferret (voice: Rachel Butera), from which they’re unceremoniously ejected.

On the lam, one of them overhears an old man in the desert wilderness remonstrating with a voice in the sky at its wits end – “I tried my best, it says, but what’s a God to do?” – and being instructed as per the Biblical myth to build an ark and fill it with male and female members of each animal species. “How do I tell the animals?”, asks the bewildered Noah (voice: Ian James Corlett), for it is he. “Well,” says God (voice: Luis Bermudez) in a rare moment of wit uncharacteristic of the screenplay overall, “I can get the invitations out.”… Read the rest

*****

A vicious ex-con seeks revenge on the family of the lawyer he sees responsible for his incarceration in prison – review from Strait – the Greenbelt Newspaper, March 1992.

Directed by Martin Scorsese with characteristic and frenetic energy, Cape Fear is his best movie in years. It ranks not so much alongside The Last Temptation of Christ (1988, file under embarrassing personal projects along with Until the End of the World, Wim Wenders, 1991) but rather as a companion piece to early collaborations with actor Robert De Niro like Mean Streets (1973), Taxi Driver (1976) and Raging Bull (1980).

Here, the actor is first glimpsed from behind as a muscled torso tattooed with the Scales of Justice and numerous biblical verses. It’s a foretaste of things to come.

While the original Cape Fear (J. Lee Thompson, 1962) had Robert Mitchum as ex-con Max Cady who terrorises the lawyer (and his wife and daughter) responsible for his prosecution, Scorsese’s remake borrows religious elements from another Mitchum-as-villain vehicle, Night of the Hunter (Charles Laughton, 1955), in which his character justifies his actions in fundamentalist Christian terminology.

De Niro’s Cady is specifically a self-designated vessel of judgement upon the lawyer and his kin.… Read the rest