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	<title>atom bomb &#8211; Jeremy C. Processing</title>
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	<title>atom bomb &#8211; Jeremy C. Processing</title>
	<link>https://jeremycprocessing.com</link>
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	<item>
		<title>Underland</title>
		<link>https://jeremycprocessing.com/underland/</link>
					<comments>https://jeremycprocessing.com/underland/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Thu, 26 Mar 2026 13:00:00 +0000</pubDate>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Live Action]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[abandoned]]></category>
		<category><![CDATA[archaeologist]]></category>
		<category><![CDATA[atom bomb]]></category>
		<category><![CDATA[beam of light]]></category>
		<category><![CDATA[beneath the Earth’s surface]]></category>
		<category><![CDATA[bomb shelter]]></category>
		<category><![CDATA[boundaries]]></category>
		<category><![CDATA[Bradley Garrett]]></category>
		<category><![CDATA[broken fridge]]></category>
		<category><![CDATA[burial]]></category>
		<category><![CDATA[cave]]></category>
		<category><![CDATA[chamber]]></category>
		<category><![CDATA[charcoal]]></category>
		<category><![CDATA[city]]></category>
		<category><![CDATA[civilization]]></category>
		<category><![CDATA[concrete]]></category>
		<category><![CDATA[cow falling]]></category>
		<category><![CDATA[dark matter]]></category>
		<category><![CDATA[darkness]]></category>
		<category><![CDATA[deep]]></category>
		<category><![CDATA[deep mine]]></category>
		<category><![CDATA[drainage]]></category>
		<category><![CDATA[drains]]></category>
		<category><![CDATA[earlier generations]]></category>
		<category><![CDATA[Earth]]></category>
		<category><![CDATA[entrance to the Underworld]]></category>
		<category><![CDATA[experiment]]></category>
		<category><![CDATA[exploration]]></category>
		<category><![CDATA[Fátima Tec Pool]]></category>
		<category><![CDATA[feeling of freedom]]></category>
		<category><![CDATA[firelight]]></category>
		<category><![CDATA[flash flood]]></category>
		<category><![CDATA[frustration]]></category>
		<category><![CDATA[future generations]]></category>
		<category><![CDATA[hands on walls]]></category>
		<category><![CDATA[Hannah Peel]]></category>
		<category><![CDATA[hole by the tree]]></category>
		<category><![CDATA[human beings]]></category>
		<category><![CDATA[impression]]></category>
		<category><![CDATA[interference]]></category>
		<category><![CDATA[journey]]></category>
		<category><![CDATA[Las Vegas]]></category>
		<category><![CDATA[life form]]></category>
		<category><![CDATA[light beam]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[low oxygen]]></category>
		<category><![CDATA[man-made]]></category>
		<category><![CDATA[manhole cover]]></category>
		<category><![CDATA[map]]></category>
		<category><![CDATA[Mariangela Lisanti. Canada]]></category>
		<category><![CDATA[Mexico]]></category>
		<category><![CDATA[mine]]></category>
		<category><![CDATA[mining cage]]></category>
		<category><![CDATA[narrow passages]]></category>
		<category><![CDATA[narrow space]]></category>
		<category><![CDATA[networks of caves]]></category>
		<category><![CDATA[nuclear waste]]></category>
		<category><![CDATA[odours]]></category>
		<category><![CDATA[plunder]]></category>
		<category><![CDATA[poverty below ground]]></category>
		<category><![CDATA[radiation]]></category>
		<category><![CDATA[rain]]></category>
		<category><![CDATA[recurring dream]]></category>
		<category><![CDATA[research facility]]></category>
		<category><![CDATA[Rob Petit]]></category>
		<category><![CDATA[rubbish]]></category>
		<category><![CDATA[search]]></category>
		<category><![CDATA[seek the void]]></category>
		<category><![CDATA[sensitive experiment]]></category>
		<category><![CDATA[sewage]]></category>
		<category><![CDATA[skyscrapers]]></category>
		<category><![CDATA[smell]]></category>
		<category><![CDATA[SNOLAB]]></category>
		<category><![CDATA[species]]></category>
		<category><![CDATA[stalk]]></category>
		<category><![CDATA[storage]]></category>
		<category><![CDATA[storm drain]]></category>
		<category><![CDATA[storm drains]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[the living and the dead]]></category>
		<category><![CDATA[theoretical particle physicist]]></category>
		<category><![CDATA[touch the shadows]]></category>
		<category><![CDATA[toxic waste]]></category>
		<category><![CDATA[trapped]]></category>
		<category><![CDATA[trash]]></category>
		<category><![CDATA[tunnel]]></category>
		<category><![CDATA[two kilometres down]]></category>
		<category><![CDATA[UK]]></category>
		<category><![CDATA[underground]]></category>
		<category><![CDATA[underground exploration]]></category>
		<category><![CDATA[Underland]]></category>
		<category><![CDATA[underworld]]></category>
		<category><![CDATA[unknown]]></category>
		<category><![CDATA[Uranium]]></category>
		<category><![CDATA[urban explorer]]></category>
		<category><![CDATA[urban explorers]]></category>
		<category><![CDATA[US]]></category>
		<category><![CDATA[veins pumping]]></category>
		<category><![CDATA[warning signs]]></category>
		<category><![CDATA[wealth]]></category>
		<category><![CDATA[writer]]></category>
		<category><![CDATA[Yucatán Peninsular]]></category>
		<guid isPermaLink="false">https://jeremycprocessing.com/?p=21282</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Rob Petit – 2025 – US, UK – Cert. 12a – 79m</p>



<p class="wp-block-paragraph">***</p>



<p class="wp-block-paragraph"><em>Three separate journeys beneath the Earth’s surface in the company of an archaeologist, a particle physicist and an urban explorer</em> – had its sold out UK Premiere at the Barbican on Tuesday, March 24th and is out in UK cinemas on Friday, March 27th</p>



<p class="wp-block-paragraph">Why do we seek the void, asks a narrator (Sandra Hüller from&#160;<a href="https://jeremycprocessing.com/project-hail-mary/"><em>Project</em><em>&#160;Hail Mary</em></a>, Phil Lord, Christopher Miller, 2026;&#160;<em><a href="https://jeremycprocessing.com/the-zone-of-interest/">The Zone of Interest</a></em>, Jonathan Glazer, 2023;&#160;<em>Anatomy of a Fall</em>, Justine Triet, 2023) as the camera descends into an Academy 4:3 image of an orifice within an ash tree, a portal to the world below. In a letterboxed image, we’re in a car passing the garish lists of Las Vegas entertainments, then on to breach a wire fence on the outskirts of that city. Then with a group of women cavers in a jungle, possibly South America somewhere, near a tree on the edge of a vast hole in the ground. Another group of cavers stand around in a room in readiness. A further caver walks down an urban street and starts to lift a manhole cover.</p>



<p class="wp-block-paragraph">In terms of following what’s going on, apart from the idea of people in different places possessed of a desire to penetrate the Earth’s surface, and exciting, pulsating music by Hannah Peel, all this is really hard to follow; the viewer’s brain is overloaded.&#8230; <a href="https://jeremycprocessing.com/underland/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Rob Petit – 2025 – US, UK – Cert. 12a – 79m</p>



<p class="wp-block-paragraph">***</p>



<p class="wp-block-paragraph"><em>Three separate journeys beneath the Earth’s surface in the company of an archaeologist, a particle physicist and an urban explorer</em> – had its sold out UK Premiere at the Barbican on Tuesday, March 24th and is out in UK cinemas on Friday, March 27th</p>



<p class="wp-block-paragraph">Why do we seek the void, asks a narrator (Sandra Hüller from&nbsp;<a href="https://jeremycprocessing.com/project-hail-mary/"><em>Project</em><em>&nbsp;Hail Mary</em></a>, Phil Lord, Christopher Miller, 2026;&nbsp;<em><a href="https://jeremycprocessing.com/the-zone-of-interest/">The Zone of Interest</a></em>, Jonathan Glazer, 2023;&nbsp;<em>Anatomy of a Fall</em>, Justine Triet, 2023) as the camera descends into an Academy 4:3 image of an orifice within an ash tree, a portal to the world below. In a letterboxed image, we’re in a car passing the garish lists of Las Vegas entertainments, then on to breach a wire fence on the outskirts of that city. Then with a group of women cavers in a jungle, possibly South America somewhere, near a tree on the edge of a vast hole in the ground. Another group of cavers stand around in a room in readiness. A further caver walks down an urban street and starts to lift a manhole cover.</p>



<p class="wp-block-paragraph">In terms of following what’s going on, apart from the idea of people in different places possessed of a desire to penetrate the Earth’s surface, and exciting, pulsating music by Hannah Peel, all this is really hard to follow; the viewer’s brain is overloaded.&hellip; <a href="https://jeremycprocessing.com/underland/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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			</item>
		<item>
		<title>Suzume (Suzume No Tojimari, すずめの戸締まり, lit. Suzume&#8217;s Locking Up)</title>
		<link>https://jeremycprocessing.com/suzume/</link>
					<comments>https://jeremycprocessing.com/suzume/#respond</comments>
		
		<dc:creator><![CDATA[Jeremy Clarke]]></dc:creator>
		<pubDate>Fri, 14 Apr 2023 09:38:50 +0000</pubDate>
				<category><![CDATA[Animation]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[2D animation]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[anime]]></category>
		<category><![CDATA[atom bomb]]></category>
		<category><![CDATA[atomic bomb]]></category>
		<category><![CDATA[aunt]]></category>
		<category><![CDATA[aunts and daughters]]></category>
		<category><![CDATA[boy meets girl]]></category>
		<category><![CDATA[cat]]></category>
		<category><![CDATA[CG]]></category>
		<category><![CDATA[CG animation]]></category>
		<category><![CDATA[chair]]></category>
		<category><![CDATA[cute]]></category>
		<category><![CDATA[disaster]]></category>
		<category><![CDATA[doe-eyed]]></category>
		<category><![CDATA[door]]></category>
		<category><![CDATA[door frame]]></category>
		<category><![CDATA[drawn animation]]></category>
		<category><![CDATA[earthquake]]></category>
		<category><![CDATA[earthquake warning]]></category>
		<category><![CDATA[Fukushima]]></category>
		<category><![CDATA[giant monster]]></category>
		<category><![CDATA[Haruki Murakami]]></category>
		<category><![CDATA[Hiroshima]]></category>
		<category><![CDATA[hot springs]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Kaiju]]></category>
		<category><![CDATA[Makoto Shinkai]]></category>
		<category><![CDATA[metaphor]]></category>
		<category><![CDATA[meteorology]]></category>
		<category><![CDATA[monster]]></category>
		<category><![CDATA[mothers and daughters]]></category>
		<category><![CDATA[myth]]></category>
		<category><![CDATA[Nagasaki]]></category>
		<category><![CDATA[natural disaster]]></category>
		<category><![CDATA[parents and children]]></category>
		<category><![CDATA[Pokémon]]></category>
		<category><![CDATA[portal]]></category>
		<category><![CDATA[road movie]]></category>
		<category><![CDATA[schoolgirls]]></category>
		<category><![CDATA[single parent mother]]></category>
		<category><![CDATA[single parent mum]]></category>
		<category><![CDATA[smartphone]]></category>
		<category><![CDATA[substitute mother]]></category>
		<category><![CDATA[talking cat]]></category>
		<category><![CDATA[talking chair]]></category>
		<category><![CDATA[three-legged chair]]></category>
		<category><![CDATA[weather]]></category>
		<category><![CDATA[worms]]></category>
		<guid isPermaLink="false">http://jeremycprocessing.com/?p=11072</guid>

					<description><![CDATA[<p class="wp-block-paragraph">Director – Makoto Shinkai – 2022 – Japan – Cert. PG – 122m</p>



<p class="wp-block-paragraph">***1/2</p>



<p class="wp-block-paragraph"><em>Aided by a man turned into a mobile, talking, three-legged chair, a schoolgirl must prevent giant, freak weather ‘worms’ from devastating Japan with earthquakes –</em> anime feature is out in UK and Irish cinemas on Friday, April 14th</p>



<p class="wp-block-paragraph">Prompted by a question from a man she meets on a road in her hometown, 17-year-old schoolgirl Suzume visits an abandoned hot springs facility in which is situated a door in a free standing door frame. She opens it only to find she can’t enter. Shortly after this, in school, she notices smoke in a gigantic, red and black worm-like form rising from the hot springs facility.</p>



<p class="wp-block-paragraph">At the same time, everyone around her receives earthquake warnings on their smartphones, but no-one else can see the rising form. She goes back to the facility to find the man she met trying to close the door and cut off the incoming smoke, something she helps him to do. They do not close the door in time to prevent the red and black form falling onto the land and an earthquake resulting. The man locks the door using a key on his person.&#8230; <a href="https://jeremycprocessing.com/suzume/" class="read-more" target="_blank">Read the rest </a></p>]]></description>
										<content:encoded><![CDATA[<p class="wp-block-paragraph">Director – Makoto Shinkai – 2022 – Japan – Cert. PG – 122m</p>



<p class="wp-block-paragraph">***1/2</p>



<p class="wp-block-paragraph"><em>Aided by a man turned into a mobile, talking, three-legged chair, a schoolgirl must prevent giant, freak weather ‘worms’ from devastating Japan with earthquakes –</em> anime feature is out in UK and Irish cinemas on Friday, April 14th</p>



<p class="wp-block-paragraph">Prompted by a question from a man she meets on a road in her hometown, 17-year-old schoolgirl Suzume visits an abandoned hot springs facility in which is situated a door in a free standing door frame. She opens it only to find she can’t enter. Shortly after this, in school, she notices smoke in a gigantic, red and black worm-like form rising from the hot springs facility.</p>



<p class="wp-block-paragraph">At the same time, everyone around her receives earthquake warnings on their smartphones, but no-one else can see the rising form. She goes back to the facility to find the man she met trying to close the door and cut off the incoming smoke, something she helps him to do. They do not close the door in time to prevent the red and black form falling onto the land and an earthquake resulting. The man locks the door using a key on his person.&hellip; <a href="https://jeremycprocessing.com/suzume/" class="read-more" target="_blank">Read the rest </a></p>]]></content:encoded>
					
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			<slash:comments>0</slash:comments>
		
		
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