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Cry Macho

Director – Clint Eastwood – 2021 – US – Cert. 12 – 104m

***1/2

A rodeo star and horse trainer well past his prime is sent to bring his boss’ son back to Texas from his “abusive” mother in Mexico – out to rent on Premium Video on Demand from Monday, December 13th

1979. Mike Milo (Clint Eastwood) is late for work. Again. His boss Howard Polk (Dwight Yoakam) ticks him off. Milo verbally lays into him. Gets fired. Newsreel footage from back in the day shows Mike’s rodeo accident, when a horse threw him and he landed on his back. He’s never been the same since.

They go back a long way, though, and that isn’t the end of their relationship. Howard phones Mike for a favour. Howard hasn’t seen his son since the boy was six. He’s now 13 and living with his mother, Howard’s estranged ex, down in Mexico. Howard has heard is son is being abused, although he doesn’t clarify. He wants Mike to go down to Mexico and bring the boy back.

Mike is unsure but agrees. His attempt to complete this task will form the body of the movie. He finds the mother’s house easily enough.… Read the rest

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West Side Story
(2021)

Director – Steven Spielberg – 2021 – US – Cert. 12a – 156m

*****

This reimagining of the landmark 1961 musical feels fresh and completely different, yet strangely familiar at the same time – out in cinemas on Friday, December 10th

The original adaptation of Broadway show West Side Story (Jerome Robbins, Robert Wise, 1961) is widely reckoned one of the great movie musicals. It’s basically Romeo And Juliet reworked with rival houses replaced by rival ethnic gangs, the Jets and the Sharks. From the moment a former member of one gang falls for a young girl from the other ethnic group, their romance is doomed.

As well as remarkable songs (music: Leonard Bernstein, lyrics: Stephen Sondheim), the thing people remember is the incredible, almost otherworldly choreography. If this had not been a musical but a straightforward teenage youth drama, the gangs would have walked or run through the streets in packs. Here, though, they dance and glide as a synchronised group, and the never less than magical result proves highly effective.

So if you’re going to remake West Side Story, you’d better have some pretty good ideas because a carbon copy would be pointless. Enter Steven Spielberg. Like many people, he’s grown up with the 1961 movie and knows it intimately.… Read the rest

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The Shop
Around The Corner

Director – Ernst Lubitsch – 1940 – US – Cert. PG – 99m

*****

Two store employees argue constantly, unaware they are perfect for one another – out in cinemas on Friday, December 3rd

It’s quite a shock to see an old Hollywood classic for the first time and realise that you’re seeing one of the greats of which you’ve somehow never heard, but that’s exactly what happened to me watching this extraordinarily charming film which is likely to appeal to anyone who loves the much more familiar It’s A Wonderful Life (Frank Capra, 1946). Both have stories that culminate at Christmas, both star American everyman James Stewart, and both give off what you might call a generosity of spirit. But in other ways, they’re two very different films.

For a start, this is not set anywhere in the US but rather in Europe, specifically the Hungarian capital Budapest. And then, its subject is not so much a town and the people who live there as a department store and the people who work there. There are no rich people dubiously making money by exploiting the poor: certainly there are bosses and workers, but the former treats the latter well and might reasonably be described as benevolent.… Read the rest

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Silent Night

Director – Camille Griffin – 2020 – UK – Cert. 15 – 90m

**

Families of old school friends gather for Christmas at a country house knowing they will die as a deadly mist envelops the planet – out in cinemas on Friday, December 3rd

Nell (Keira Knightley) and Simon (Matthew Goode) prepare to have her old school friends over for Christmas at her mother’s isolated house in the country. Their son Art (Roman Griffin Davies from Jojo Rabbit, Taika Waititi, 2019) helps mum prepare the dinner while his two twin brothers Thomas and Hardy (his real life brothers Gilby and Hardy Griffin Davies) play on the PlayStation rather than get in the bath as they’ve been told. Simon tells the boys they are allowed to swear, but not to be rude to Kitty (Davida McKenzie), daughter of Sandra (Annabelle Wallis) and Tony (Rufus Jones from The Ghoul, Gareth Tunley, 2016), even though she’s known to be difficult. Art fails this injunction spectacularly, swearing at her when she decides to watch his brothers get out of the bath, and is forced to apologise.

Additional guests include lesbian couple Bella (Lucy Punch, writer of Judy And Punch, 2019, Mirrah Foulkes) and Alex (Kirby Howell-Baptiste from Killing Eve, TV series, creator Phoebe Waller-Bridge, 2018-22) plus school heartthrob James (Sope Dirisu from His House, Remi Weekes, 2020) with his young American girlfriend Sophie (Lily-Rose Depp) in tow.… Read the rest

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House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest

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Finding Angel
(Cheonsaneun Baileoseu,
천사는 바이러스)

Director – Kim Seong-jun – 2021 – South Korea – Cert. 15 – 114m

****

Who is the mysterious so-called ‘Angel’ who every Christmas delivers a box containing a large sum of money to a needy local resident of a small, rural town? – out in cinemas on Friday, November 26th

For the last seventeen years at Christmas, the ‘Faceless Angel’ has visited the town of Rohsong in Jeonju City, South Korea to leave a box containing money for a local person in need. Last year, an old woman received the money she needed for a knee operation. Who this person might actually be has remained a mystery, but the locals are glad the Angel is there doing what he or she is doing.

Wishing to solve the mystery and with the journalist’s scent of a good story, newspaperman Kim Ji-hoon (Park Sung-il from Samjin Company English Class, Lee Jong-pil, 2020) arrives in the town in December as the temperature plummets. He makes enquiries at the town office but the girl on the front desk (Lee Ga-kyung) stonewalls him. His attempts at talking to the townspeople don’t get him very far until he talks to old Miss Ok-bun (Moon Sook) about renting a room and she promptly puts him up in her freezing upstairs bedroom.… Read the rest

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Annette

Director – Leos Carax – 2021 – France, US – Cert. 15 – 141m

****1/2

Musical conceived and composed by Sparks plays out as a very dark opera ending in tragedy – on MUBI from Friday, November 26th

Although billed as a musical, this may actually be closer to opera given that even though it starts as a story about two people deeply in love, it veers into very dark territory.

And yet framing all that, and underscoring it throughout, is the sheer pleasure of writing / composing songs… and, for that matter, performing them. The opening song is So May We Start while the closer, as the credits roll, is It’s The End. (For added enjoyment, watch 90% of the audience leave before the last song starts. Or in my case, 10% of my fellow critics.)

The former starts with the band, the brothers Mael (singer Russell and keyboard player / composer Ron, profiled in recent documentary The Sparks Brothers, Edgar Wright, 2021) and a backing band in a recording studio in an invitation for the proceedings to get going, swiftly joined by the film’s two leads, while the latter ends with seemingly the entire movie cast and crew walking through the countryside hoping we’ve enjoyed the show and asking us to tell our friends if we did so.… Read the rest

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Microhabitat
(So-gong-nyeo,
소공녀)

Director – Jeon Go-woon – 2017 – South Korea – 106m

****1/2

The price has gone up. Yet again! A woman who wants nothing more from life than to be able to enjoy whisky and smoking enacts a radical plan to combat everyday inflation – on MUBI from Thursday, November 25th as part of their New South Korean Cinema season.

Miso (Lee Som aka Esom), whose name in Korean means both ‘smile’ and ‘micro’, lives in a small, one room, unheated apartment in Seoul. So cold in fact that when she and her boyfriend Hansol (Ahn Jae-hong) start peeling off multiple layers of clothing in the middle of winter that she’s given up by the time she’s down to her slip. It’ll have to wait ’til the Spring.

Having enough money is a constant struggle, but she’s shrewd and always puts aside enough for basic outgoings like food and rent as well as pleasures like smoking and whisky every month. When her landlord tells her the rent is going up, because his landlord is putting his rent up and he needs to pass some of the increase on to his tenants, she realises she’s going to have to cut something.… Read the rest

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Lucky Chan-sil
(Chansilineun
Bokdo Manhji,
찬실이는 복도 많지)

Director – Kim Cho-hee – 2019 – South Korea – 95m

****

When a film director she’s worked for over several years dies, his film producer has to rethink her life – currently streaming on MUBI as part of their New South Korean Cinema season

Director Ji (Seo Sang-won), his fortysomething producer Lee Chan-sil (Kang Mal-geum) and three or four others are drinking Soju round a table after a hard day’s work on the set. Suddenly, Ji slumps forward. Everyone thinks he’s kidding. He’s not. He’s dead. Unexpectedly dead. Ji makes little independent films in his own highly idiosyncratic style. If he’s no longer there, then the film, too, is dead. And Chan-sil, who has only worked with him, is suddenly out of a job.

With her regular income gone, she downsizes and moves into a cheap flat owned by an ageing live-in landlady (Youn Yuh-jung). It’s near the top of a hill, so other members of the abandoned film production help her carry stuff up there. She sees a lot of her flighty actress friend Sophie (Yeung Soon-ah) for whom she now goes to work as a cleaner. These changes of circumstance give her the both the space and the opportunity to reassess her life.… Read the rest

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Heaven:
To The Land
Of Happiness
(Hebeun:
Haengbokeui Nararo,
행복의 나라로)

Director – Im Sang-soo – 2021 – South Korea – 101m

*****

A meds thief on the verge of arrest and an escaped convict inadvertently steal money from gangsters – closing gala with a director Q&A as part of a strand of films celebrating actress Youn Yuh-jung at LKFF, the London Korean Film Festival which ran in cinemas from Thursday, November 4th to Friday, November 19th

The sexual frankness of director Im’s earlier A Good Lawyer’s Wife (2003) and The Housemaid (2010) is absent from his latest, a producer-suggested project more lightweight than his usual fare which nevertheless achieves a degree of poignancy. Its template is the German film Knockin’ On Heaven’s Door (Thomas Jahn, 1997) in which two terminally ill men steal a car so that one of them can visit the sea before he dies, the car unfortunately belonging to a gangster and carrying a quantity of cash in the boot.

Writing his own script around this loose premise, Im makes the man who wants to see the sea a convict, inmate 203 (Choi Min-sik from The Tiger, Park Hoon-jung, 2015; Lucy, Luc Besson, 2014; New World, Park Hoon-jung, 2013; Lady Vengeance, Park Chan Wook, 2005), sent to the hospital for an MRI scan where it’s discovered he has a brain tumour and two weeks to live.… Read the rest